Backlight

Provenance

Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Settings
16mm · f/8.0 · 1.6s · ISO 800
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A single window at the far end of a long ward room. Strong backlight from the window. Dust motes suspended in the lit air. Walls showing peeling paint and bare plaster. No furnishings. Floor visible in shadow. Natural light is the only source.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Backlight at Female Ward 9 & 10, unframed print displayed in situ on a wall.Backlight at Female Ward 9 & 10, white-framed print displayed in situ on a wall.Backlight at Female Ward 9 & 10, black-framed print displayed in situ on a wall.Backlight at Female Ward 9 & 10, raw timber-framed print displayed in situ on a wall.Backlight at Female Ward 9 & 10, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
Backlight
Series
Callan Park
Catalogue
CPA-006
Process
Giclée
Captured
1 March 2019
Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Aperture
f/8.0
Shutter
1.6s s
ISO
800
Focal length
16 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Rozelle, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Rozelle, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

Female Ward 9 occupies one of the ten ward blocks that make up the Kirkbride Complex at Callan Park, on the Iron Cove foreshore at Lilyfield in Sydney's inner west. The complex was built between 1880 and 1885 to a pavilion-type layout: small, linked sandstone buildings arranged around landscaped courtyards rather than massed into a single block. Seventeen freestone structures, thirty buildings in total, connected by a continuous covered veranda. The design was a collaboration between Colonial Architect James Barnet, Inspector General of the Insane Frederic Norton Manning, and Charles Moore, Director of the Royal Botanic Gardens, who designed the grounds. Manning had toured England, France, Germany and the United States in 1876, returning with drawings of Chartham Down Hospital in Kent as the planning model. He adapted the design for the New South Wales climate, extending the verandah spaces and orienting the buildings for what Barnet described as winter sun and summer breezes. The Kirkbride Complex was built at a total cost of £235,539. The first ward opened on 1 July 1884. The hospital was proclaimed as a separate institution from Gladesville on 1 August 1878 and was the first in Australia to be designed as a curative and therapeutic environment, with light, air, and landscape considered integral to treatment. By 1930 it held 1,500 patients against a designed capacity of approximately 766. The site merged with Broughton Hall Psychiatric Clinic to form Rozelle Hospital on 1 September 1976. The last patient services transferred from the Kirkbride Complex in 1994. Sydney College of the Arts occupied the buildings from 1996 until the end of 2019. This photograph, made in 2019, records a window at the far end of Female Ward 9 casting a hard backlight into the empty room. Dust motes hang suspended in the column of light. The walls behind show peeling paint and bare plaster. No furniture remains. The ward is quiet in a way it was not for most of the 140 years before the camera arrived.

04 FROM THE FIELD NOTES

Female Ward 9 at Callan Park sits inside the Kirkbride Complex, the group of sandstone pavilions built between 1880 and 1885 on the Iron Cove foreshore at Lilyfield. A window at the far end of the ward casts a strong backlight into the empty room, catching dust motes in the air and throwing the peeling walls into relief. Designed by Colonial Architect James Barnet and Inspector General of the Insane Frederic Norton Manning, the complex was built as Australia's first purpose-built hospital for moral therapy, where light and landscape were considered part of the treatment.

Brett Patman

Callan Park

The series

Callan Park

2016–2018 · 93 photographs

Dr Frederic Norton Manning rejected the asylum as 'a cemetery for deceased intellects'. In 1876 he toured asylums in England, France, Germany and the United States, returning with drawings of Chartham Down Hospital in Kent. Working with Colonial Architect James Barnet and Botanic Gardens director Charles Moore, he built Australia's first hospital purpose-built for moral therapy treatment on the Iron Cove foreshore.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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