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10 Dollar Look at Parramatta Road, a mannequin stands behind plate glass in a closed shopfront on Parramatta Road.

01 All printsSydney2015 - 2020

ISO 5001/125f/4.538mm

Collection · 1866 prints

All prints

Photographed 2015 - 2020

Frames 1866

Camera NIKON D750 · NIKON D850 · NIKON D810 · NIKON D7000 · NIKON Z 7

Location New South Wales, Australia · Victoria, Australia · Rural New South Wales and ACT, Australia · Hokkaido, Japan · Gunma, Japan

03 PRINTS

Prints in this collection

Hand-signed limited editions, printed from the original RAW file. Editions run from 100 down to 25 and are not reissued once they sell through.

10 Dollar Look at Parramatta Road, a mannequin stands behind plate glass in a closed shopfront on Parramatta Road.

133 at Parramatta Road, a recessed doorway at 133A Parramatta Road.

167 at Parramatta Road, a two-storey commercial building sits hard against Parramatta Road.

175 Motels And Apartments at Hotel Motel 101, a 5-minute walk from Westmead Station, and 2.9 km from Riverside Theatre.

175 Motels And Apartments

187 at Parramatta Road, a two-storey commercial building sits hard against Parramatta Road.

3 Explorers Motel at Hotel Motel 101, set in a town in the Blue Mountains, this simple motel is a 6-minute walk.

3 Explorers Motel

3 Sisters Motel Sign at Hotel Motel 101, red neon outlines the tall MOTEL blade.

3 Sisters Motel Sign

3 Sisters Motel, Katoomba at Hotel Motel 101, at the south end of town, this modest motel with a cottage is 7 minutes' walk.

3 Sisters Motel, Katoomba

3102 Drivers Cabin End at Eveleigh Paint Shop, the end seat compartment of Car 3102, a transitional space where passengers once gathered before settling into their seats.

3102 Drivers Cabin End

3102 Drivers Controls at Eveleigh Paint Shop, inside the cab of carriage 3102, dust coats every surface.

3102 Drivers Controls

3102 Interior at Eveleigh Paint Shop, the layout of this space reflects the evolution of Sydney’s early electric train design.

3102 Main Passenger Car at Eveleigh Paint Shop, green vinyl seats run in two rows down the centre aisle of Car 3102.

3102 Main Passenger Car

3102 Seats at Eveleigh Paint Shop, the seating arrangement in Car 3102 reflects the practicality of Sydney’s early electric trains.

3708 W Car at Eveleigh Paint Shop, car 3708, part of the Sputnik set built in 1955, now stands fully restored within the Eveleigh Paint Shop.

4052 Double Deck Seats at Eveleigh Paint Shop, inside Car 4052, time has settled into every surface.

4052 Double Deck Seats

4052 Drivers Controls at Eveleigh Paint Shop, inside the cab of D4052, pale green paint covers every surface.

4052 Drivers Controls

4052 Exterior at Eveleigh Paint Shop, a riveted steel carriage sits square on the tracks inside the Eveleigh Paint Shop.

4052 Interior at Eveleigh Paint Shop, dust lingers on the seats of Driving Control Trailer Car D4052, its silence a stark contrast to the decades of movement it once knew.

4052 Interior Close at Eveleigh Paint Shop, two rows of moulded metal seats line the aisle of Car 4052, their green paint dulled under a thick film of dust and mottled with age spots.

4052 Interior Close

68 at Parramatta Road, a two-storey shopfront sits vacant on Parramatta Road.

A Electrical Workshop at Wangi Power Station, the electrical workshop remains surprisingly intact, with an old test panel.

A Electrical Workshop

A Frames at Sundell Holden, a shot showing 180 degrees of the previously shown panel shop.

A Mechanical Store at Wangi Power Station, steel shelving runs floor to ceiling across the back wall of the mechanical store.

A Mechanical Store

AB Launder Yard at Morwell Power Station, two brick chimneys rise from the centre of the frame, flanked by the symmetrical.

AB Launder Yard

Abattoir Managers Quarters at A Place to Call Home, this home is the former residence of the Nimmitabel Meatworks manager.

Abattoir Managers Quarters

Abcott Inn at Hotel Motel 101, four rooms face an empty car park.

Above B Electrical Workshop at Wangi Power Station, concrete columns rise in rows through a vast industrial hall.

Above B Electrical Workshop

Across the Paddock at The Post Office, two weatherboard buildings sit low in a tussock paddock.

Across the Paddock

Admin at Bathurst Gasworks, a single-storey rendered building sits behind a stripped forecourt.

Administration Entrance at White Bay Power Station, a concrete ramp leads directly to the main entrance.

Administration Entrance

Administration Foyer at White Bay Power Station, a quiet intersection of industry and oversight.

Administration Foyer

Administration Office.

Administration Office

Administration Staircase at The Asylum, a carpeted staircase rises from a ground-floor hallway, its turned newel post.

Administration Staircase

Adventure Room at Streetscapes of Yubari, a small gabled building sits square to the road, its stucco walls streaked.

Aerials at Tin City, a low line of corrugated iron shacks sits half-buried at the base of the Stockton Dunes.

Afternoon Woolshed at The Woolshed, a corrugated iron woolshed sits low against dry summer grass.

Afternoon Woolshed

Air Compressor at Hornsby Quarry, used to provide pressurised air for operation of equipment within the plant.

Air Conditioned Car at Eveleigh Paint Shop, blue tartan upholstery lines both sides of the aisle in tight rows.

Air Conditioned Car

Alarm Indicator Panel at Wangi Power Station, rows of labelled warning lights cover its face, their plastic housings.

Alarm Indicator Panel

Alexander The Great Motel at Hotel Motel 101, two brown doors, numbered 9 and 10, sit side by side in a recess of blonde.

Alexander The Great Motel

Along the Wall at Callan Park, a corridor runs between partitioned walls of pale blue and grey.

Alternator Air Chamber at White Bay Power Station, a sealed hatch looms above the air chamber, once a critical access point.

Alternator Air Chamber

Amenities Block at Peters Ice Cream Factory, a concrete staircase turns at a landing between floors.

Amenities Block

Amenities Ground Level at ATL Building, stairs leading up to the staff amenities area.

Amenities Ground Level

Ammeter Wall at White Bay Power Station, rows of glass-cased ammeters and relay instruments line both walls of a narrow.

Ammeters at White Bay Power Station, protection relay panels line the wall in pale green steel, mounted floor to ceiling.

Anchor Windlass at MV Cape Don, this machine hoisted and lowered the ship's anchor.

Anchor Windlass

Ando Shack at A Place to Call Home, a small ruined shack around Ando.

Annaka Farm Shed at Landscapes, flowers and long grass on a Japanese farm.

Annaka Farm Shed

Annex at Portland Cement Works, steel roof trusses span the full width of the building, their web of angled braces.

Annex at Waterfall Sanatorium, a long enclosed corridor runs between a brick ward building and a wall of timber-framed.

Annex Door at Portland Cement Works, a pair of timber doors stands half-open at the centre of a concrete wall.

Annex Toilet at Portland Cement Works, green-painted timber partitions divide a row of cubicles in the annex block.

Annex Washroom at Portland Cement Works, a narrow washroom inside the Portland Cement Works annex.

Another Kitchen at Seika Dormitory, you can see the smoke residue covering the walls and the fridge in this shot.

Another Kitchen

Aoiike at Landscapes, dead birch and larch stand upright in opaque turquoise water.

Appin Motel at Hotel Motel 101, a single security light burns above room 16, throwing hard white light across the concrete.

Arcade at Western Village, rows of multiplayer arcade machines left behind amongst a floor covered in shattered glass.

Arched Window at Portland Cement Works, a tall arched window set deep into a brick facade.

Arches at Waterfall Sanatorium, a large empty room in Waterfall Sanatorium.

04 ABOUT THE PRINTS

How they’re made

Made to order by Brett in Sydney, from the original RAW file. Each print is hand-signed and numbered before it ships.

Paper

Ilford Galerie cotton rag, 310 gsm. Acrylic on metallic gloss, 260 gsm.

Editions

Open in XS and S. Limited in M (100), L (50), XL (25). From $100.

Print tiers →

Lead time

Unframed: 5 to 10 business days. Framed and acrylic: 10 to 20.