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The '10 Dollar Look' sign, grimy and faded, marks a shopfront on Parramatta Road. A mannequin stands behind the plate glass, handwritten $5 signs taped to its chest and leg.

01 All printsSydney2011 - 2022

ISO 5001/125f/4.538mm

Collection · 2068 prints

All prints

Photographed 2011 - 2022

Frames 2068

Camera NIKON D750 · NIKON D850 · NIKON D810 · NIKON D7000 · L1D-20c · NIKON Z 7

Location New South Wales, Australia · Victoria, Australia · VIC, Australia · Rural New South Wales and ACT, Australia · Hokkaido, Japan · +1 more

03 PRINTS

Prints in this collection

Hand-signed and numbered, printed from the original RAW file. Open editions in the two smallest sizes; limited editions of 100, 50 and 25 in the three larger, never reissued once they sell through.

A corrugated-iron farm shed at Annaka in Gunma. Rust has bled down the wall panels in long lines. A lean-to roof sags over timber posts. Cornflowers and wild grasses press against the base of the shed.

Annaka Farm Shed

Annex hall at Portland Cement Works, worn timber floorboards under a steel truss ceiling lit by evenly spaced skylights.

Annex at Waterfall Sanatorium, a long enclosed corridor runs between a brick ward building and a wall of timber-framed.

Annex Door at Portland Cement Works, a pair of timber doors stands half-open at the centre of a concrete wall.

Annex Toilet at Portland Cement Works, green-painted timber partitions divide a row of cubicles in the annex block.

Annex Washroom at Portland Cement Works, a narrow washroom inside the Portland Cement Works annex.

Another Kitchen at Seika Dormitory, you can see the smoke residue covering the walls and the fridge in this shot.

Another Kitchen

Aoiike sits near Shirogane Onsen in Biei, Hokkaido. The pond formed by accident, an outcome of erosion-control works built after Mount Tokachi erupted in 1988.

View from an apartment window in Ikeshima-machi, utility pole and wires above silver grass with the Matsushima power station chimney across the sea.

Apartment Window

The Appin Motel at Appin, photographed at night for Hotel Motel 101. A light burns above room 16 and throws hard white light along the wall, a mustard sofa and mismatched chairs left out on the gravel between the doors, gum trees behind the roofline.

View along the road approach to McKillops Bridge in Deddick Valley, with a black and white chevron sign at left and the single-lane timber-decked steel truss bridge spanning the Snowy River, forested hills rising beyond under an overcast sky.

Approach and Sign

Arcade at Western Village, rows of multiplayer arcade machines left behind amongst a floor covered in shattered glass.

Arched Window at Portland Cement Works, a tall arched window set deep into a brick facade.

Arches at Waterfall Sanatorium, a large empty room in Waterfall Sanatorium.

Peeling paint on the lower walls reveals several layers of earlier finish, with a blue skirting board running the perimeter of the room at Lewisham Hospital.

An overpass carries the painted "Arnott's Famous Biscuits" advertisement across Parramatta Road. Traffic moves beneath it. Sandstone retaining walls line the footpath.

Arnotts Famous Biscuits

Yellow and purple graffiti sprawls across the blackboard and the wall beside it at Macquarie Boys Technology High.

Disturbing peace sprawls across the blackboard in green and black paint, the largest mark in a classroom stripped bare since the school closed in 2009 at Macquarie Boys Technology High.

Diagonal light rays cut across a storage room, crossing from upper left to lower right and throwing a purple cast over the left-hand wall at Macquarie Boys Technology High.

Ascent at Morwell Power Station, steel grating and riveted iron columns stack upward through multiple levels, viewed.

The Ascot Motor Inn at Wahroonga, photographed at night for Hotel Motel 101. Green board doors set into white render with dark timber strapping, a black steel stair rising at the right, orange hose cabinets on the wall and shrubs crowding the concrete.

Ascot Motor Inn

Ash Handling Tower at White Bay Power Station, two steel hoppers sit elevated on a rusted framework beside the main turbine.

Ash Handling Tower

Ash Handling Tower Lookup at White Bay Power Station, steel beams and concrete walls stack upward in heavy layers.

Ash Handling Tower Lookup

Ash Plant Workshop at Wangi Power Station, a yellow A-frame safety sign sits on the concrete floor.

Ash Plant Workshop

The Ashfield Motor Inn at Ashfield, photographed at night for Hotel Motel 101. Red brick over two levels with blue doors and a blue steel balustrade, chairs left out on the concrete below and on the balcony above, and curtains drawn behind every window.

Ashfield Motor Inn

The processing complex sits across the valley from the river, concrete and corrugated iron structures from the 1918 to 1922 modernisation that consolidated Ashio's three dressing plants at Tsudō.

Ashio Copper Mine

The Ashwood Motel at West Gosford, photographed at night for Hotel Motel 101. Rooms 119, 120 and 121 in blonde brick under a dark awning, cane chairs and a table on the concrete, a fire extinguisher recessed in the wall and cordylines in the bed below.

A barrel-vaulted hall with steel truss ribs spanning the ceiling at Macquarie Boys Technology High. A large timber beam has come away from the stage structure at the far end, leaning at a sharp angle across the boards.

Pale light pushes through a gap in the corrugated iron roof and lands on dusty timber floorboards at Sundell Holden.

A metal staircase with a yellow handrail climbs toward a small attic storage opening, its uprights dense with red spray paint at Sundell Holden.

Natural light enters through a gap in the attic structure of Mittagong Maltings. Dust motes are visible in the shaft of light. Exposed timber beams cross the frame.

Attic Space at Box Hill Brickworks, boring caption.

Auditorium at Balmain Leagues Club, shot inside the auditorium.

Auditorium at Bankstown RSL, a vast ballroom stretches toward a darkened stage at the far wall.

The Bankstown RSL auditorium is seen from an oblique angle. Tall rectangular windows throw sharp panels of sunlight onto a herringbone timber floor.

Auditorium Angled

A long, empty corridor stretches towards the auditorium within the old Bankstown RSL clubhouse. Faded paint peels from the walls.

Auditorium Corridor

Auditorium Entrance at Balmain Leagues Club, a corridor leads toward a glass-block wall at the far end, where a sign.

Auditorium Entrance

The auditorium hall within the former Bankstown RSL club. Peeling red paint exposes white patches across the ceiling, the walls painted deep blue and the floor covered in patterned carpet.

Auditorium Hall

Sunlight illuminates the 5 tall, multi-pane windows of the old Bankstown RSL auditorium. Dust particles hang in the shafts of light.

Auditorium Windows

A steel autopsy table at the centre of a small room at Kenmore, Goulburn NSW. Long empty shelves run the length of one wall.

Olive-green metal cladding and dark netting wrap a low shed at the end of a narrow concrete path at Waratah Park, the structure sitting in a clearing of tall eucalyptus and overgrown grass.

B End Of Boiler House Basement at Wangi Power Station, steel columns rise two storeys through the boiler house basement.

B End Of Boiler House Basement

B Factory Dryers at Morwell Power Station, a narrow service corridor runs the length of B Factory's drying hall.

B Factory Dryers

B Station Between Turbine Hall And Boiler House at Wangi Power Station, concrete columns run in two rows down a central.

B Station Between Turbine Hall And Boiler House

B Station Looking Towards B Mechanical Workshop at Wangi Power Station, from this vantage point inside the B Station boiler.

B Station Looking Towards B Mechanical Workshop

B Station Mill Alley at Wangi Power Station, once an essential corridor of Wangi Power Station, B Station’s Mill Alley was.

B Station Mill Alley

B to A at Morwell Power Station, a steel-framed window stretches floor to ceiling, divided into a grid of thick panes.

B42 Access Corridor at ANSTO HIFAR, the personnel entrance at HIFAR, once a secondary access point, now serves.

B42 Access Corridor

Dust settled across a back corner of an abandoned timber building at Big Hill Post Office. Paint peeled from the walls in large sections, exposing layers beneath. A grimy window admitted little light.

Back Dock at Peters Ice Cream Factory, the dry goods storage area leading to the back dock of the facility.

Corrugated iron ceiling at Woolla in the Deua River Valley. Hand-split slab walls, paint long gone. A small four-pane window cuts light across the dark floor of this slab hut at Woolla.

Back of the Ranch at Tin City, looking across some of the shoreline vegetation towards the ranch.

Back of the Ranch

Back Room Entry at Woolla, corrugated iron roofing sits low over rough-hewn timber walls lined with hessian.

Back Room Entry

Weathered timber stairs descend from the rear of the Ranger Headquarters at Waratah Park, flanking a brick-paved path where small weeds push up between the joints.

Backlight at Female Ward 9 & 10, light streaking from one of the patient rooms in the Female Ward of Callan Park.

Horizontal blinds on a tall, narrow window at Callan Park break the incoming daylight into even bars across the floor.

Backlit Reactors at White Bay Power Station, high-voltage reactor switches stand in glass-panelled enclosures, backlit.

Backlit Reactors

Backyard at The Post Office, weathered timber and corrugated iron form the rear wall of a low rural homestead.

An overgrown backyard at a slab timber cottage in the Southern Tablelands. Rusting metal sits among encroaching grass and vegetation. The scene is still. No figures are present.

The bag loading area at Kandos Cement Works, where cement was funnelled into sacks, filled and stacked by workers for dispatch. Cracked concrete spans the floor, water pooling where the slab has settled and split.

Bag Loading Area

04 ABOUT THE PRINTS

How they’re made

Made to order by Brett in Sydney, from a scan of the original negative. Each print is hand-signed and numbered before it ships.

Paper

Ilford Galerie cotton rag, 310 gsm. Acrylic on metallic gloss, 260 gsm.

Editions

Open in XS and S. Limited in M (100), L (50), XL (25). From $100.

Print tiers →

Lead time

Unframed: 5 to 10 business days. Framed and acrylic: 10 to 20.