Ashio Copper Mine

Provenance

Camera
NIKON D810
Lens
70.0-200.0 mm f/4.0
Settings
70mm · f/7.1 · 1/2000 · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

The processing complex sits across the valley from the river, concrete and corrugated iron structures from the Furukawa modernisation that began in 1877. A landslide scar cuts the ridge above. Ashio Copper Mine, Tochigi Prefecture.

Edition
Open edition

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A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
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In situ

Ashio Copper Mine at Ashio Copper Mine, concrete and corrugated steel buildings climb the slope in tiers, connected.Ashio Copper Mine at Ashio Copper Mine, concrete and corrugated steel buildings climb the slope in tiers, connected.Ashio Copper Mine at Ashio Copper Mine, concrete and corrugated steel buildings climb the slope in tiers, connected.Ashio Copper Mine at Ashio Copper Mine, concrete and corrugated steel buildings climb the slope in tiers, connected.Ashio Copper Mine at Ashio Copper Mine, concrete and corrugated steel buildings climb the slope in tiers, connected.
01 PROVENANCE

Print datasheet

Title
Ashio Copper Mine
Series
Ashio Copper Mine
Catalogue
ACM-001
Process
Giclée
Captured
7 May 2016
Camera
NIKON D810
Lens
70.0-200.0 mm f/4.0
Aperture
f/7.1
Shutter
1/2000 s
ISO
100
Focal length
70 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Ashio, Tochigi, Japan
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Ashio, Tochigi, Japan

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

The image is taken from across the Watarase valley, looking back at the Ashio Copper Mine and its processing plant on the opposite slope. The plant is built directly into the mountainside, a staircase of grey concrete and corrugated iron stepping down from the entrance to the mine head at the top, through milling and refinery levels, to the river at the bottom. A large landslide scar runs down the slope to the right of the works. Below the plant, the valley floor is bare. The mountains around the site are still mostly bare too, more than a century after the original deforestation.

Ashio was Japan's largest copper mine for most of its working life. It started as a small Edo-period mine and was modernised on industrial lines from 1877 onwards. By the early twentieth century Ashio was Japan's largest copper producer. It also became infamous for the pollution it pushed downstream. Smelter fumes killed off the surrounding forest, and acid runoff into the Watarase River poisoned farms for hundreds of kilometres. The Watarase basin protests of the 1890s are sometimes called the country's first major environmental movement. The mine kept running through both world wars and into the postwar reconstruction, before finally closing in 1973.

04 FROM THE FIELD NOTES

Concrete and corrugated steel buildings climb the slope in tiers, connected by enclosed conveyor galleries angled down toward the valley floor. Rust bleeds through grey cladding. Red-roofed sheds sit lower, dwarfed by the processing halls behind them. Above the complex, a bare scar of exposed rock cuts through dense green forest. Power lines cross the foreground. No movement. No smoke.

Brett Patman

Ashio Copper Mine

The series

Ashio Copper Mine

2016 · 24 photographs

Furukawa Ichibei acquired the Ashio mine in 1877 with financial backing from Shibusawa Eiichi. By 1922 the operation had consolidated its three separate ore-processing plants into one. The Tsudō Ore-Dressing Plant, on the Watarase River, was held up at home and abroad as a model facility for metal mines.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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