Raw Material Conveyors
Provenance
- Camera
- NIKON D810
- Lens
- 14.0-24.0 mm f/2.8
- Settings
- 14mm · f/9.0 · 0.4s · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
The conveyor system at the head of the processing plant, where ore arrived from outside. Much of the concrete floor in this section had collapsed; the upper level wasn't safely accessible. Steel conveyor frames extend toward it.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Raw Material Conveyors
- Series
- Ashio Copper Mine
- Catalogue
- ACM-019
- Process
- Giclée
- Captured
- 7 May 2016
- Camera
- NIKON D810
- Lens
- 14.0-24.0 mm f/2.8
- Aperture
- f/9.0
- Shutter
- 0.4s s
- ISO
- 100
- Focal length
- 14 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Ashio, Tochigi, Japan
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
Ashio, Tochigi, Japan
Map · Mapbox · OpenStreetMap
About this print
Crushed limestone and raw ore spill across the floor of the processing hall. Conveyor belt frames line the left side, their rubber long since split and sagging. Steel gantries and cross-bracing fill the upper volume of the shed. Corrugated iron cladding hangs open in places, letting green foliage press against the structure. Narrow-gauge rail tracks run through the debris. The air looks thick with mineral dust and damp.
Brett Patman
The series
Ashio Copper Mine
Furukawa Ichibei acquired the Ashio mine in 1877 with financial backing from Shibusawa Eiichi. By 1922 the operation had consolidated its three separate ore-processing plants into one. The Tsudō Ore-Dressing Plant, on the Watarase River, was held up at home and abroad as a model facility for metal mines.
Print sizes
The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.
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