Ball Mill Outlet

Provenance

Camera
NIKON D810
Lens
14.0-24.0 mm f/2.8
Settings
14mm · f/9.0 · 0.4s · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

The ball mill outlet hangs open, its charge of steel grinding balls still inside, left as they were when the plant shut in 1973. The cast iron discharge trunnion and toothed ring gear face the camera. Ore ground here fed into the flotation circuit.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 10 to 20 business days (framed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Ball Mill Outlet at Ashio Copper Mine, a large ball mill sits at the centre of the processing hall, its open bore facing.Ball Mill Outlet at Ashio Copper Mine, a large ball mill sits at the centre of the processing hall, its open bore facing.Ball Mill Outlet at Ashio Copper Mine, a large ball mill sits at the centre of the processing hall, its open bore facing.Ball Mill Outlet at Ashio Copper Mine, a large ball mill sits at the centre of the processing hall, its open bore facing.Ball Mill Outlet at Ashio Copper Mine, a large ball mill sits at the centre of the processing hall, its open bore facing.
01 PROVENANCE

Print datasheet

Title
Ball Mill Outlet
Series
Ashio Copper Mine
Catalogue
ACM-003
Process
Giclée
Captured
7 May 2016
Camera
NIKON D810
Lens
14.0-24.0 mm f/2.8
Aperture
f/9.0
Shutter
0.4s s
ISO
100
Focal length
14 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Ashio, Tochigi, Japan
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Ashio, Tochigi, Japan

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

The discharge end of a ball mill at Ashio Copper Mine drops the milled ore into a covered chute that runs down to the next stage of the processing line. The outlet itself is a riveted-steel housing bolted to the end of the mill drum, with a grate insert to separate the steel balls from the ground ore. Ore residue has built up around the housing in pale grey crusts, hardened where moisture has worked into the seams. The frame supporting the housing carries the marks of years of work: paint worn back to bare metal at the grip points, splattered with grease around the bearing housings. A short ladder gives access to the outlet for maintenance. The light here is low, falling through the milling-area windows in flat panels.

The ball mill outlet is where the rotating drum's product passed into the rest of the flotation circuit. Operators monitored the outlet for blockages and for changes in ore consistency, since either could shut the mill down within minutes. At Ashio the mills ran almost continuously for decades under the Furukawa modernisation that began in 1877. The Excavation Department closed in 1973. The mills stopped at the same time. The outlet has been still since, the residue cooling into the cement-like crust that holds the seams together more reliably than the original fasteners.

04 FROM THE FIELD NOTES

A large ball mill sits at the centre of the processing hall, its open bore facing forward like a dark throat. Heavy chain slings hang from a yellow overhead crane. Steel mesh flooring covers the ground, buckled and split where pipes have collapsed beneath it. Green-painted columns rise to the corrugated iron walls. Rust stains bleed down every surface. The light is flat, diffused through grimy clerestory windows.

Brett Patman

Ashio Copper Mine

The series

Ashio Copper Mine

2016 · 24 photographs

Furukawa Ichibei acquired the Ashio mine in 1877 with financial backing from Shibusawa Eiichi. By 1922 the operation had consolidated its three separate ore-processing plants into one. The Tsudō Ore-Dressing Plant, on the Watarase River, was held up at home and abroad as a model facility for metal mines.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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