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Brown Mountain Backdrop at The Dairy, a single timber and corrugated iron hut sits on a green ridge, small against the mountain behind it.

Theme · 49 prints

Best Sellers

Photographed 2014 - 2022

Frames 49

Camera Mostly NIKON D850, plus 4 others

Location Sydney, New South Wales, Australia · New South Wales, Australia · War Memorial Park, Leichhardt, Sydney, New South Wales, Australia · Various, Australia · Biei, Hokkaido, Japan · +19 more

Prints in this collection

Yummy at Landscapes, red neon letters spell YUMMY across the flat roof of a single-storey brick shopfront.

3 Sisters Motel Sign at Hotel Motel 101, red neon outlines the tall MOTEL blade.

3 Sisters Motel Sign

Mt Kuring-Gai Motel Sign at Hotel Motel 101, the neon sign for Mt Kuring-gai Motel burns against a black sky.

Mt Kuring-Gai Motel Sign

Dead Silence at Landscapes, a single sodium vapour streetlight burns on a timber power pole.

Brown Mountain Backdrop at The Dairy, a single timber and corrugated iron hut sits on a green ridge, small against the mountain behind it.

Brown Mountain Backdrop

Aoiike at Landscapes, dead birch and larch stand upright in opaque turquoise water.

Thirroul Beach Motel, Thirroul at Hotel Motel 101, a red brick motel with pastel coloured doors under a starlit sky.

Thirroul Beach Motel, Thirroul

Green Cape Lighthouse at Landscapes, the white-painted tower rises from below, its tapered column filling the frame against a dense field of stars.

Green Cape Lighthouse

Glass Curtain at White Bay Power Station, a towering mosaic of glass and steel, where light filters through dust-streaked panes, casting shifting patterns across the skeletal remains of the boiler house.

Control Room at White Bay Power Station, a curved control console wraps across the room in a wide arc.

Turbine and Condenser at White Bay Power Station, a steam turbine and its condenser sit on the operating floor of White Bay Power Station's turbine hall.

Turbine and Condenser

Lounge at Kinugawa Kan, a place of quiet luxury, now lost to time.

Control Room at Ashio Copper Mine, a steel control panel stretches along the left wall, its face pocked with mould and rust.

Stone Drover's Hut at A Place to Call Home, a stone cottage sits low against open grassland, its rough-cut walls catching late afternoon light.

Stone Drover's Hut

Downstairs Hallway at Terminus Hotel, this hallway once connected the daily workings of the Terminus Hotel, stretching from the main bar past the dining room and barkeeper’s office, looping around the kitchen toward the beer garden beyond.

Downstairs Hallway

Chakola Shack at A Place to Call Home, a weatherboard shack sits low against a grassy ridge near Bunyan, south of Canberra on the Monaro Highway.

Laundry at Parramatta Road, something about its stark frontage, the faded lettering, and the complete absence of visible activity makes it feel more like a front for something else entirely.

Turbine Hall at White Bay Power Station, reinforced concrete walls rise three storeys on each side, their surfaces stained and peeling.

Kappa Onsen at Kinugawa Kan, the heart of Kinugawa Kan’s Kappa Onsen, now silent and dry.

Boiler House Basement To Ceiling at White Bay Power Station, steel framework climbs from the basement floor through multiple storeys of the boiler house at White Bay Power Station.

Boiler House Basement To Ceiling

Sharpro Industries at Parramatta Road, white block lettering runs across the upper brickwork.

Sharpro Industries

Beloka Woolshed at The Woolshed, corrugated iron in silver and rust.

Beloka Woolshed

Balcony Looking Downstream at Kinugawa Kan, perched on the crumbling balcony of Kinugawa Kan, the view down the valley tells a story of two worlds.

Balcony Looking Downstream

Entry Level Guest Room at Kinugawa Kan, the most modest accommodation in the hotel, these rooms once offered a simpler stay within Kinugawa Kan’s grand complex.

Entry Level Guest Room

Entertainment Room at Callan Park, a curved wall of louvre and casement windows wraps around the room in a wide semicircle.

Entertainment Room

Aerials at Tin City, a low line of corrugated iron shacks sits half-buried at the base of the Stockton Dunes.

House On The Hill at A Place to Call Home, a single concrete structure sits on an exposed ridge above the Snowy Mountains Highway near Bemboka.

House On The Hill

Gymnasium at Family School Fureai, a thick climbing rope lies coiled across the gymnasium floor like something shed.

Ball Mill Outlet at Ashio Copper Mine, a large ball mill sits at the centre of the processing hall, its open bore facing forward like a dark throat.

Ball Mill Outlet

Nature Always Finds a Way at Wangi Power Station, concrete turbine plinths stand in two rows inside the main hall at Wangi Power Station.

Nature Always Finds a Way

North Facade at Terminus Hotel, the north-facing façade of the Terminus Hotel, captured in the late afternoon light.

Gunningrah Drover's Hut at A Place to Call Home, corrugated iron walls, faded to pale blue-grey, hold together a single-room hut on open grassland near Gunningrah.

Gunningrah Drover's Hut

Three Windows at Shimizusawa Thermal Power Plant, three tall windows line the control room wall, their steel-mullioned frames set into heavy concrete pillars.

Turbine at White Bay Power Station, the Parsons turbine dominates the White Bay Power Station Turbine Hall, its immense steel casings weathered by time.

Seven at Tin City, shack number seven sits low against the dunes at Tin City, Stockton Beach.

Bathrooms at Waterfall Sanatorium, a brown vinyl armchair sits centre-frame on a floor thick with plaster dust and debris.

Marco Polo Motel at Parramatta Road, three storeys of grey brick columns frame open balconies with decorative breezeblock screens.

Marco Polo Motel

Crutching Shed in the Wet at The Woolshed, a corrugated iron crutching shed sits low in tussocked grassland, its galvanised walls streaked with rust.

Crutching Shed in the Wet

Hey Hey Kebab at Parramatta Road, blue neon spells out HEY HEY KEBAB across the fascia.

Crawley Edge Boatshed at Landscapes, a single blue timber boatshed sits on steel piles over flat grey water.

Crawley Edge Boatshed

Jincumbilly Station at Landscapes, a single cream-painted shelter sits on a low timber platform surrounded by open grassland.

Jincumbilly Station

Meander at Landscapes, the Great Ocean Road winds through a cutting in the coastal rock face, the asphalt banking hard through an S-bend.

Number Six Raw Mill at Kandos Cement Works, a ball mill sits heavy in the half-light, its riveted steel drum tilted toward the wet concrete floor.

Number Six Raw Mill

Night Call at Landscapes, a Telstra payphone stands alone at the edge of a roadside verge.

The Back Kitchen at The Asylum, green paint peels from steel benchtop cabinets along the right wall.

The Back Kitchen

Autopsy Table at The Asylum, a dusty autopsy table in the morgue of an abandoned asylum.

Monaro Highway at Landscapes, a road that rises and falls with the land, carving a path through the rolling hills of the Monaro.

Solitude at Landscapes, stubble rows run in straight lines across a harvested grain field, dark furrows cutting through dry golden stalks.

Nightlight at Landscapes, a single floodlight illuminates the night, standing tall against the backdrop of silhouetted trees.

Paper

Ilford Galerie Smooth Cotton Rag 310 gsm. Metallic Gloss 260 gsm for acrylic-mounted prints.

Sizes

Five sizes, XS to XL, from $100. Open editions in XS and S, limited editions in M, L and XL.

Print tiers →

Production

Made to order in 5 to 10 business days.