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Brown Mountain Backdrop at The Dairy, a single timber and corrugated iron hut sits on a green ridge, small against.

01 Best SellersSydney2014 - 2022

ISO 645sf/6.350mm

Theme · 49 prints

Best Sellers

Photographed 2014 - 2022

Frames 49

Camera NIKON D850 · NIKON Z 7 · NIKON D810 · NIKON D750 · NIKON D7000

Location New South Wales, Australia · Leichhardt, Sydney · Various, Australia · Hokkaido, Japan · Tochigi, Japan · +5 more

03 PRINTS

Prints in this collection

Hand-signed limited editions, printed from the original RAW file. Editions run from 100 down to 25 and are not reissued once they sell through.

Yummy at Landscapes, red neon letters spell YUMMY across the flat roof of a single-storey brick shopfront.

3 Sisters Motel Sign at Hotel Motel 101, red neon outlines the tall MOTEL blade.

3 Sisters Motel Sign

Mt Kuring-Gai Motel Sign at Hotel Motel 101, the neon sign for Mt Kuring-gai Motel burns against a black sky.

Mt Kuring-Gai Motel Sign

Dead Silence at Landscapes, a single sodium vapour streetlight burns on a timber power pole.

Brown Mountain Backdrop at The Dairy, a single timber and corrugated iron hut sits on a green ridge, small against.

Brown Mountain Backdrop

Aoiike at Landscapes, dead birch and larch stand upright in opaque turquoise water.

Thirroul Beach Motel, Thirroul at Hotel Motel 101, a red brick motel with pastel coloured doors under a starlit sky.

Thirroul Beach Motel, Thirroul

Green Cape Lighthouse at Landscapes, the white-painted tower rises from below, its tapered column filling the frame against.

Green Cape Lighthouse

Glass Curtain at White Bay Power Station, a towering mosaic of glass and steel, where light filters through dust-streaked.

Control Room at White Bay Power Station, a curved control console wraps across the room in a wide arc.

Turbine and Condenser at White Bay Power Station, a steam turbine and its condenser sit on the operating floor of White Bay.

Turbine and Condenser

Lounge at Kinugawa Kan, a place of quiet luxury, now lost to time.

Control Room at Ashio Copper Mine, a steel control panel stretches along the left wall, its face pocked with mould and rust.

Stone Drover's Hut at A Place to Call Home, a stone cottage sits low against open grassland, its rough-cut walls catching.

Stone Drover's Hut

Downstairs Hallway at Terminus Hotel, this hallway once connected the daily workings of the Terminus Hotel, stretching.

Downstairs Hallway

Chakola Shack at A Place to Call Home, a weatherboard shack sits low against a grassy ridge near Bunyan, south of Canberra.

Laundry at Parramatta Road, something about its stark frontage, the faded lettering, and the complete absence of visible.

Turbine Hall at White Bay Power Station, reinforced concrete walls rise three storeys on each side, their surfaces stained.

Kappa Onsen at Kinugawa Kan, the heart of Kinugawa Kan’s Kappa Onsen, now silent and dry.

Boiler House Basement To Ceiling at White Bay Power Station, steel framework climbs from the basement floor.

Boiler House Basement To Ceiling

Sharpro Industries at Parramatta Road, white block lettering runs across the upper brickwork.

Sharpro Industries

Beloka Woolshed at The Woolshed, corrugated iron in silver and rust.

Beloka Woolshed

Balcony Looking Downstream at Kinugawa Kan, perched on the crumbling balcony of Kinugawa Kan, the view down the valley.

Balcony Looking Downstream

Entry Level Guest Room at Kinugawa Kan, the most modest accommodation in the hotel, these rooms once offered a simpler stay.

Entry Level Guest Room

Entertainment Room at Callan Park, a curved wall of louvre and casement windows wraps around the room in a wide semicircle.

Entertainment Room

Aerials at Tin City, a low line of corrugated iron shacks sits half-buried at the base of the Stockton Dunes.

House On The Hill at A Place to Call Home, a single concrete structure sits on an exposed ridge above the Snowy Mountains.

House On The Hill

Gymnasium at Family School Fureai, a thick climbing rope lies coiled across the gymnasium floor like something shed.

Ball Mill Outlet at Ashio Copper Mine, a large ball mill sits at the centre of the processing hall, its open bore facing.

Ball Mill Outlet

Nature Always Finds a Way at Wangi Power Station, concrete turbine plinths stand in two rows inside the main hall at Wangi.

Nature Always Finds a Way

North Facade at Terminus Hotel, the north-facing façade of the Terminus Hotel, captured in the late afternoon light.

Gunningrah Drover's Hut at A Place to Call Home, corrugated iron walls, faded to pale blue-grey, hold together.

Gunningrah Drover's Hut

Three Windows at Shimizusawa Thermal Power Plant, three tall windows line the control room wall, their steel-mullioned.

Turbine at White Bay Power Station, the Parsons turbine dominates the White Bay Power Station Turbine Hall, its immense.

Seven at Tin City, shack number seven sits low against the dunes at Tin City, Stockton Beach.

Bathrooms at Waterfall Sanatorium, a brown vinyl armchair sits centre-frame on a floor thick with plaster dust and debris.

Marco Polo Motel at Parramatta Road, three storeys of grey brick columns frame open balconies with decorative breezeblock.

Marco Polo Motel

Crutching Shed in the Wet at The Woolshed, a corrugated iron crutching shed sits low in tussocked grassland, its galvanised.

Crutching Shed in the Wet

Hey Hey Kebab at Parramatta Road, blue neon spells out HEY HEY KEBAB across the fascia.

Crawley Edge Boatshed at Landscapes, a single blue timber boatshed sits on steel piles over flat grey water.

Crawley Edge Boatshed

Jincumbilly Station at Landscapes, a single cream-painted shelter sits on a low timber platform surrounded by open grassland.

Jincumbilly Station

Meander at Landscapes, the Great Ocean Road winds through a cutting in the coastal rock face, the asphalt banking hard.

Number Six Raw Mill at Kandos Cement Works, a ball mill sits heavy in the half-light, its riveted steel drum tilted toward.

Number Six Raw Mill

Night Call at Landscapes, a Telstra payphone stands alone at the edge of a roadside verge.

The Back Kitchen at The Asylum, green paint peels from steel benchtop cabinets along the right wall.

The Back Kitchen

Autopsy Table at The Asylum, a dusty autopsy table in the morgue of an abandoned asylum.

Monaro Highway at Landscapes, a road that rises and falls with the land, carving a path through the rolling hills.

Solitude at Landscapes, stubble rows run in straight lines across a harvested grain field, dark furrows cutting through dry.

Nightlight at Landscapes, a single floodlight illuminates the night, standing tall against the backdrop of silhouetted trees.

04 ABOUT THE PRINTS

How they’re made

Made to order by Brett in Sydney, from the original RAW file. Each print is hand-signed and numbered before it ships.

Paper

Ilford Galerie cotton rag, 310 gsm. Acrylic on metallic gloss, 260 gsm.

Editions

Open in XS and S. Limited in M (100), L (50), XL (25). From $100.

Print tiers →

Lead time

Unframed: 5 to 10 business days. Framed and acrylic: 10 to 20.