Stone Drover's Hut
Provenance
- Camera
- NIKON Z 7
- Lens
- 14.0-24.0 mm f/2.8
- Settings
- 14mm · f/9.0 · 2s · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
Roofless single-storey stone hut on a flat, treeless New South Wales plain. Walls intact on three sides. Rusted corrugated iron sheet leaning against the exterior. Dry Mitchell grass spreads across the foreground. Wide, open sky above. No trees, no fences, no other structures in frame.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Stone Drover's Hut
- Series
- A Place to Call Home
- Catalogue
- PCH-039
- Process
- Giclée
- Captured
- 28 December 2018
- Camera
- NIKON Z 7
- Lens
- 14.0-24.0 mm f/2.8
- Aperture
- f/9.0
- Shutter
- 2s s
- ISO
- 100
- Focal length
- 14 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Rural New South Wales and ACT, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
About this print
A roofless stone cottage stands on a flat, treeless Monaro plain near the Snowy River, corrugated iron leaning against one wall, dry grass stretching in every direction. This is the Teamsters Cottage on Coonhoonbula station in the Dalgety district. Oral history recorded in the Lost Collective community thread identifies it as the shelter where teamsters carting supplies to the run would wait for a load of wool before heading back toward Sydney. The Eccleston family held Coonhoonbula from the early 1860s to the mid-1920s. Stone construction here is consistent with the granite-bearing Dalgety district, the same material as Dalgety's 1876 Police Station.
Brett Patman
The series
A Place to Call Home
A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.
Print sizes
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