Stone Drover's Hut
Provenance
- Camera
- NIKON Z 7
- Lens
- 14.0-24.0 mm f/2.8
- Settings
- 14mm · f/9.0 · 2s · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
Dry Mitchell grass spreads across a flat New South Wales plain. A roofless stone hut sits to the left, walls still standing, corrugated iron leaning against one side. Wide sky above. No trees. No fences.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ
Print datasheet
- Title
- Stone Drover's Hut
- Series
- A Place to Call Home
- Catalogue
- PCH-039
- Process
- Giclée
- Captured
- 28 December 2018
- Camera
- NIKON Z 7
- Lens
- 14.0-24.0 mm f/2.8
- Aperture
- f/9.0
- Shutter
- 2s s
- ISO
- 100
- Focal length
- 14 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Rural New South Wales and ACT, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
A stone cottage sits low against open grassland, its rough-cut walls catching late afternoon light. The roof is half gone. Rusted corrugated iron clings to the remaining rafters and wraps one side where an outbuilding leans against the main structure. Tussock grass grows waist-high around the foundations, golden at the tips. The sky stretches wide and unbroken in every direction. No trees. No fences. No road.
Brett Patman
The series
A Place to Call Home
A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.
Print sizes
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