Home On the Range
Provenance
- Camera
- NIKON D850
- Lens
- 24.0-70.0 mm f/2.8
- Settings
- 70mm · f/8.0 · 1/160 · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
A weatherboard cottage with a rusted corrugated iron roof sits on flat, open grazing land. A timber picket fence runs along the front. A single poplar stands to the left of the building. A power line runs from the cottage to a pole at the paddock's edge. A heavy storm front fills the sky above.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Home On the Range
- Series
- A Place to Call Home
- Catalogue
- PCH-048
- Process
- Giclée
- Captured
- 30 December 2018
- Camera
- NIKON D850
- Lens
- 24.0-70.0 mm f/2.8
- Aperture
- f/8.0
- Shutter
- 1/160 s
- ISO
- 100
- Focal length
- 70 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Rural New South Wales and ACT, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
About this print
A weatherboard cottage, rusted iron roof and timber picket fence intact, sits low on open grazing land beneath a building storm. A single poplar marks the left boundary; a power line runs out to a pole at the paddock's edge, the last visible thread connecting the place to the wider world. Cottages of this kind spread across rural New South Wales from the 1860s onward, as the Robertson Land Acts allowed selectors to take up smallholdings on Crown land. Most were built fast, improved incrementally, and eventually left when the land could no longer sustain a family.
Brett Patman
The series
A Place to Call Home
A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.
Print sizes
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