Stone Drover's Hut at A Place to Call Home, a stone cottage sits low against open grassland, its rough-cut walls catching.

01 A Place to Call HomeRural New South Wales and ACT2016 - 2019

ISO 1002sf/9.014mm

Series · 59 prints

A Place to Call Home

Photographed 2016 - 2019
Frames 59
Camera NIKON Z 7 · NIKON D810 · NIKON D850
Location Rural New South Wales and ACT, Australia
Status Abandoned; various states of decay
01 ABOUT THIS SERIES

Series story

A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.

03 PRINTS

Prints in this series

Hand-signed limited editions, printed from the original RAW file. Editions run from 100 down to 25 and are not reissued once they sell through.

04 ABOUT THE PRINTS

How they’re made

Made to order by Brett in Sydney, from the original RAW file. Each print is hand-signed and numbered before it ships.

Paper

Ilford Galerie cotton rag, 310 gsm. Acrylic on metallic gloss, 260 gsm.

Editions

Open in XS and S. Limited in M (100), L (50), XL (25). From $100.

Print tiers →

Lead time

Unframed: 5 to 10 business days. Framed and acrylic: 10 to 20.

06 PRESS

In the press

People talk about what it was like to work or stay in these places, who they knew, what they did, how great the Christmas parties were, that store man nobody liked, what all the different machines were, how they worked and what became of them.

Broadsheet

Brett Patman·2016

lostcollective.com

On the LC archive.

There's this sense of wonder you get when looking at abandoned buildings. You try to imagine what these spaces were like when they were filled with busy workers trying to meet production targets. And why did they close?

The Guardian

Brett Patman·2019

theguardian.com

On the LC archive.

I'm often contacted by people who used to frequent the places I photographed. They share stories that enter the collections as additions or corrections. Sometimes they send their own photos from the same viewpoints, taken decades earlier.

The Guardian

Brett Patman·2019

theguardian.com

On the LC archive.

08 BY POST · NO SPAM

Read the full story

Articles when they're published. The history behind a place. The day of a shoot. The work between prints. No marketing, no schedule.

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