Auditorium at Bankstown RSL, a vast ballroom stretches toward a darkened stage at the far wall.

01 Bankstown RSLBankstown2019

ISO 1001.6sf/8.014mm

Series · 30 prints

Bankstown RSL

Photographed 2019
Frames 30
Camera NIKON D850
Location New South Wales, Australia
Status Demolished March 2019
Years 1955 to 2019
01 ABOUT THIS SERIES

Series story

Map · Mapbox · OpenStreetMap

On 17 September 1928, 26 returned servicemen of the 1914 to 1918 war founded the City of Bankstown RSL sub-Branch. The clubhouse at 1 Meredith Street opened in 1955, with blue walls under bright red ceilings. The underground sports complex originally held a swimming pool, a squash court, a gym, and a sauna.

The 1955 building was a mid-century Australian club, from the era Commercial Real Estate called 'when kitsch was king'. At peak the upper floors carried live entertainment, dining rooms and bars. By the years before demolition, the pool was drained and the squash court's wooden floor had bowed and started peeling.

Membership peaked in the 1950s and 1960s, when RSL clubs sat at the centre of suburban Australian social life. By the early 2000s, financial pressure and shifting habits had reduced the club's footprint; in 2017 the land at 32 Kitchener Parade was sold to Poly Australia. Paul Keating, who grew up in Bankstown, called the club a 'great place of congregation' in his 2005 Bankstown City Silver Jubilee address.

The 1955 clubhouse closed on 15 January 2019 and was demolished in March. A new Bankstown RSL & Hotel had already opened on the same site on 21 January, designed by Altis Architecture. The First World War Honor Roll and the 1997 Denis Phillips memorial were moved before demolition; alongside the new club, the Spring Square redevelopment is rising in 516 to 520 apartments across five towers.

Sydney West Joint Regional Planning Panel (DA-1207/2015), Commercial Real Estate (Sue Williams, 2019) and NSW War Memorials Register (Bankstown RSL WWI Honor Roll)

02 TIMELINE

Chronology

1928
1955
2005
2017
2019
2019
2019
2019
03 PRINTS

Prints in this series

Hand-signed limited editions, printed from the original RAW file. Editions run from 100 down to 25 and are not reissued once they sell through.

04 ABOUT THE PRINTS

How they’re made

Made to order by Brett in Sydney, from the original RAW file. Each print is hand-signed and numbered before it ships.

Paper

Ilford Galerie cotton rag, 310 gsm. Acrylic on metallic gloss, 260 gsm.

Editions

Open in XS and S. Limited in M (100), L (50), XL (25). From $100.

Print tiers →

Lead time

Unframed: 5 to 10 business days. Framed and acrylic: 10 to 20.

06 PRESS

In the press

Often I'd find myself looking at the machines and architecture and challenging myself to find one single object designed purely for aesthetics. Craftsmanship made way for efficiency in engineering long before I'd even left school.

The Guardian

Brett Patman·2019

theguardian.com

On the LC archive.

People talk about what it was like to work or stay in these places, who they knew, what they did, how great the Christmas parties were, that store man nobody liked, what all the different machines were, how they worked and what became of them.

Broadsheet

Brett Patman·2016

lostcollective.com

On the LC archive.

There's this sense of wonder you get when looking at abandoned buildings. You try to imagine what these spaces were like when they were filled with busy workers trying to meet production targets. And why did they close?

The Guardian

Brett Patman·2019

theguardian.com

On the LC archive.

08 BY POST · NO SPAM

Read the full story

Articles when they're published. The history behind a place. The day of a shoot. The work between prints. No marketing, no schedule.

You're subscribed.