Leaving a secure job to work as an artist, trying to manage inconsistent income and tempering the self-doubt and self-criticism that came with it has been one of the most difficult things I've done.
The Guardian
On the LC archive.
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01 Parramatta RoadSydney2016 - 2018
ISO 1008sf/9.058mm
Series · 27 prints
Parramatta Road follows a much older route, used for thousands of years by the Wangal, Wallumedegal, Burramattagal, and Cadigal peoples before colonial adoption around 1789 to 1791. Today it is one of Sydney's main thoroughfares: 23 km of heavy traffic, with used car dealers at the Parramatta end ("Auto Alley") and a mix of historic shopfronts, new apartment blocks, and WestConnex demolition at the eastern end. The series moves between streetscape and individual buildings - 107 Parramatta Road in Annandale (an 1890s Victorian Filigree shopfront with original living quarters above accessible only by ladder), the Marco Polo Motel at Summer Hill, the Olympia Milk Bar in Stanmore, Mario's Meat Market, and shopfronts whose ground floors have been busy for a century while the rooms above have been empty for fifty years.
Hand-signed limited editions, printed from the original RAW file. Editions run from 100 down to 25 and are not reissued once they sell through.
Made to order by Brett in Sydney, from the original RAW file. Each print is hand-signed and numbered before it ships.
Paper
Ilford Galerie cotton rag, 310 gsm. Acrylic on metallic gloss, 260 gsm.
Lead time
Unframed: 5 to 10 business days. Framed and acrylic: 10 to 20.
Leaving a secure job to work as an artist, trying to manage inconsistent income and tempering the self-doubt and self-criticism that came with it has been one of the most difficult things I've done.
The Guardian
On the LC archive.
Holding a solo exhibition in one of the spaces I've photographed would also be a dream, particularly at a site with a strong community connection - so the images can be enjoyed by the people who made it matter.
The Guardian
On the LC archive.
I'm not trying to make out like I'm some kind of mysterious urbex badass. Lost Collective isn't about me. It's about the places I shoot and even more about the connection that the people have to the sites.
Broadsheet
On the LC archive.