Marco Polo Motel at Parramatta Road, three storeys of grey brick columns frame open balconies with decorative breezeblock.

01 Parramatta RoadSydney2016 - 2018

ISO 1008sf/9.058mm

Series · 27 prints

Parramatta Road

Photographed 2016 - 2018
Frames 27
Camera NIKON D750 · NIKON D850
Location New South Wales, Australia
Status Active mixed-use commercial corridor; subject to 30-year NSW urban transformation strategy
Opened 1811
Specs 23 km corridor · Australia's oldest highway · Broadway to Granville
01 ABOUT THIS SERIES

Series story

Parramatta Road follows a much older route, used for thousands of years by the Wangal, Wallumedegal, Burramattagal, and Cadigal peoples before colonial adoption around 1789 to 1791. Today it is one of Sydney's main thoroughfares: 23 km of heavy traffic, with used car dealers at the Parramatta end ("Auto Alley") and a mix of historic shopfronts, new apartment blocks, and WestConnex demolition at the eastern end. The series moves between streetscape and individual buildings - 107 Parramatta Road in Annandale (an 1890s Victorian Filigree shopfront with original living quarters above accessible only by ladder), the Marco Polo Motel at Summer Hill, the Olympia Milk Bar in Stanmore, Mario's Meat Market, and shopfronts whose ground floors have been busy for a century while the rooms above have been empty for fifty years.

03 PRINTS

Prints in this series

Hand-signed limited editions, printed from the original RAW file. Editions run from 100 down to 25 and are not reissued once they sell through.

04 ABOUT THE PRINTS

How they’re made

Made to order by Brett in Sydney, from the original RAW file. Each print is hand-signed and numbered before it ships.

Paper

Ilford Galerie cotton rag, 310 gsm. Acrylic on metallic gloss, 260 gsm.

Editions

Open in XS and S. Limited in M (100), L (50), XL (25). From $100.

Print tiers →

Lead time

Unframed: 5 to 10 business days. Framed and acrylic: 10 to 20.

06 PRESS

In the press

One day I stopped at a vast abandoned factory I passed on my way home from work. There was a long section of fence missing. I wandered in, camera in hand, and that moment was the unofficial beginning of Lost Collective.

The Guardian

Brett Patman·2019

theguardian.com

On the LC archive.

Leaving a secure job to work as an artist, trying to manage inconsistent income and tempering the self-doubt and self-criticism that came with it has been one of the most difficult things I've done.

The Guardian

Brett Patman·2019

theguardian.com

On the LC archive.

Holding a solo exhibition in one of the spaces I've photographed would also be a dream, particularly at a site with a strong community connection - so the images can be enjoyed by the people who made it matter.

The Guardian

Brett Patman·2019

theguardian.com

On the LC archive.

08 BY POST · NO SPAM

Read the full story

Articles when they're published. The history behind a place. The day of a shoot. The work between prints. No marketing, no schedule.

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