Leaving a secure job to work as an artist, trying to manage inconsistent income and tempering the self-doubt and self-criticism that came with it has been one of the most difficult things I've done.
The Guardian
On the LC archive.
Your cart
Nothing saved yet. Start with the current series or browse the full archive.

01 Family School FureaiYubari2014 - 2016
ISO 801/60f/9.019mm
Series · 30 prints
Map · Mapbox · OpenStreetMap
Family School Fureai stands on a hillside at the northern end of Yubari in Hokkaido. The building opened on 1 April 1975 as Asahi Elementary School, a new three-storey reinforced-concrete structure built on the site of the demolished wooden Yubari Second Elementary (Daini). It consolidated three local schools - Daini, Fukuzumi and Teibi - that had lost most of their students as Yubari's coal industry shrank. By the early 1980s enrolment had collapsed; the school closed on 31 March 1983 after just eight years. The building stayed empty until Yubari City's tourism third-sector firm Yubari Kanko Kaihatsu, established October 1994, repurposed it as the Family School Fureai public dormitory. In June 2006 Yubari City announced its fiscal collapse; the city formally entered financial reconstruction status on 6 March 2007 and YKK ceased trading 31 March 2007 with ¥5.46 billion of debt. The building has sat empty since. Inside there is no graffiti - only kanji on the chalkboards. Deer and foxes use it now.
Hand-signed limited editions, printed from the original RAW file. Editions run from 100 down to 25 and are not reissued once they sell through.
Made to order by Brett in Sydney, from the original RAW file. Each print is hand-signed and numbered before it ships.
Paper
Ilford Galerie cotton rag, 310 gsm. Acrylic on metallic gloss, 260 gsm.
Lead time
Unframed: 5 to 10 business days. Framed and acrylic: 10 to 20.
Leaving a secure job to work as an artist, trying to manage inconsistent income and tempering the self-doubt and self-criticism that came with it has been one of the most difficult things I've done.
The Guardian
On the LC archive.
Holding a solo exhibition in one of the spaces I've photographed would also be a dream, particularly at a site with a strong community connection - so the images can be enjoyed by the people who made it matter.
The Guardian
On the LC archive.
I'm not trying to make out like I'm some kind of mysterious urbex badass. Lost Collective isn't about me. It's about the places I shoot and even more about the connection that the people have to the sites.
Broadsheet
On the LC archive.