Holding a solo exhibition in one of the spaces I've photographed would also be a dream, particularly at a site with a strong community connection - so the images can be enjoyed by the people who made it matter.
The Guardian
On the LC archive.
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01 Waterfall SanatoriumWaterfall2018
ISO 1001/8f/8.014mm
Series · 54 prints
The first patients arrived at the Hospital for Consumptives, Waterfall on 14 April 1909, with initial provision for 180 men. A women's wing opened in May 1912 for 120; by 1919 it had become the largest sanatorium in New South Wales, holding 788 patients. The site sat at about 1,000 feet (305 m), 26 miles (42 km) south of Sydney, on the medical theory that tuberculosis needed 'high and rarefied atmosphere in the country away from the grime and pollution of cities'.
Patients in the active phase of tuberculosis lived in fibro chalets, each about the size of a garden shed. Larger ward buildings held the advanced and chronic cases. By 1914 the site carried 370 beds across the chalets and wards combined.
Sanatorium treatment was the dominant model for tuberculosis care in Australia from the late 19th century, anchored on fresh air, elevation, rest and isolation. Mid-century antibiotics and thoracic surgery transformed treatment, making the isolation regime unnecessary. Waterfall Sanatorium closed in 1958, joining a wider wind-down of sanatoria across New South Wales.
The site became Garrawarra Hospital from 1958, and is now the Garrawarra Centre for the Aged. The cemetery within the grounds holds approximately 2,000 graves, controlled by Wollongong Council. Some Waterfall-era buildings remain on the working aged-care site.
South Eastern Sydney Local Health District (Garrawarra history), NSW State Archives (AGY-1995 Waterfall Sanatorium) and Find and Connect (Waterfall Sanatorium)
Hand-signed limited editions, printed from the original RAW file. Editions run from 100 down to 25 and are not reissued once they sell through.
Made to order by Brett in Sydney, from the original RAW file. Each print is hand-signed and numbered before it ships.
Paper
Ilford Galerie cotton rag, 310 gsm. Acrylic on metallic gloss, 260 gsm.
Lead time
Unframed: 5 to 10 business days. Framed and acrylic: 10 to 20.
Holding a solo exhibition in one of the spaces I've photographed would also be a dream, particularly at a site with a strong community connection - so the images can be enjoyed by the people who made it matter.
The Guardian
On the LC archive.
I'm not trying to make out like I'm some kind of mysterious urbex badass. Lost Collective isn't about me. It's about the places I shoot and even more about the connection that the people have to the sites.
Broadsheet
On the LC archive.
Often I'd find myself looking at the machines and architecture and challenging myself to find one single object designed purely for aesthetics. Craftsmanship made way for efficiency in engineering long before I'd even left school.
The Guardian
On the LC archive.