The Long Walk

Provenance

Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Settings
14mm · f/8.0 · 1/15 · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A covered internal corridor at Waterfall Sanatorium stretches toward the far end of the building. Red concrete floors. Brick walls tagged with graffiti. Louvred windows line the right side. Debris scattered across the floor.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 10 to 20 business days (framed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

The Long Walk at Waterfall Sanatorium, a covered verandah runs deep into the building, narrowing to a vanishing point.The Long Walk at Waterfall Sanatorium, a covered verandah runs deep into the building, narrowing to a vanishing point.The Long Walk at Waterfall Sanatorium, a covered verandah runs deep into the building, narrowing to a vanishing point.The Long Walk at Waterfall Sanatorium, a covered verandah runs deep into the building, narrowing to a vanishing point.The Long Walk at Waterfall Sanatorium, a covered verandah runs deep into the building, narrowing to a vanishing point.
01 PROVENANCE

Print datasheet

Title
The Long Walk
Series
Waterfall Sanatorium
Catalogue
WSA-047
Process
Giclée
Captured
24 June 2018
Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Aperture
f/8.0
Shutter
1/15 s
ISO
100
Focal length
14 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Waterfall, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
03 THE STORY

About this print

The Long Walk at Waterfall Sanatorium is a covered corridor that connects two of the major ward blocks across the site. The corridor is roofed with corrugated iron and sided with timber lattice, the latticework letting in light and air without exposing patients to direct sun or rain. The floor is concrete, polished smooth from decades of foot traffic. The corridor is empty in the photograph; no benches, no equipment, just the long perspective from one ward block to the next. The colour of the timber lattice is faded grey-brown. At any time of day, the light comes through the lattice in patterns of bars and squares on the floor.

The Long Walk was the connecting tissue between Waterfall's ward blocks. Patients, staff, food trolleys, and laundry carts all moved through this corridor every day for the operational life of the sanatorium. The lattice was deliberate; the open structure provided fresh air on the principle that air was therapeutic, while keeping the corridor usable in poor weather. The corridor in this photograph is empty because the wards on either end have been empty for decades. The lattice still works the same way: air still moves through it; the light still comes in through the gaps. Only the people are gone.

04 FROM THE FIELD NOTES

A covered verandah runs deep into the building, narrowing to a vanishing point. Red-painted concrete underfoot, scuffed and gritty. Face brick on the left, graffiti sprayed in blue and black across its surface. Timber-framed windows line the right wall, some panes smashed, others clouded with grime. A ceiling panel lies flat on the floor. The olive-green ceiling boards are intact but stained. Broken glass, cable, debris scattered along the corridor. Eucalyptus canopy presses against the windows from outside.

Brett Patman

Waterfall Sanatorium

The series

Waterfall Sanatorium

2016–2018 · 54 photographs

The first patients arrived at the Hospital for Consumptives, Waterfall on 14 April 1909, with initial provision for 180 men. A women's wing opened in May 1912 for 120; by 1919 it had become the largest sanatorium in New South Wales, holding 788 patients. The site sat at about 1,000 feet (305 m), 26 miles (42 km) south of Sydney, on the medical theory that tuberculosis needed 'high and rarefied atmosphere in the country away from the grime and pollution of cities'.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
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