Holding a solo exhibition in one of the spaces I've photographed would also be a dream, particularly at a site with a strong community connection - so the images can be enjoyed by the people who made it matter.
The Guardian
On the LC archive.
Your cart
Nothing saved yet. Start with the current series or browse the full archive.

01 Terminus HotelPyrmont2016
ISO 1001sf/8.022mm
Series · 44 prints
Map · Mapbox · OpenStreetMap
The corner of Harris and John Streets, Pyrmont, has held a licensed pub almost continuously since 1841, under four names. Sydney's Harris Street electric tram opened in 1898 and terminated at the front door. The owners added a two-storey wing and renamed the pub Terminus around 1900.
The building visible today is the 1917 Federation-style rebuild by Tooth & Co., NSW's largest brewer. Commercial reporting describes the level of intact fabric as rare for a hotel of its period. The interior plan reads as a standard early-twentieth-century pub: Public Bar, Parlour, Ladies Parlour, upstairs accommodation, less the 1950s alteration when the Ladies Parlour was merged into the Public Bar.
The 1917 rebuild was forced by licensing law. NSW had cut hotel trading hours to 10am to 6pm, six days a week, and required hotels to provide accommodation to keep their licences. Tooth & Co. demolished the existing pub and put up the present building in compliance.
The pub closed in 1983 as Pyrmont's industrial workforce collapsed. The building stood empty for 33 years, held by Susan and Isaac Wakil and then by developer Auswin TWT, occupied intermittently by feral cats and squatters. It reopened as a working pub in 2018 after a two-year restoration.
Pyrmont History Group, City of Sydney Archives and Dictionary of Sydney (Pyrmont)
Hand-signed limited editions, printed from the original RAW file. Editions run from 100 down to 25 and are not reissued once they sell through.
Made to order by Brett in Sydney, from the original RAW file. Each print is hand-signed and numbered before it ships.
Paper
Ilford Galerie cotton rag, 310 gsm. Acrylic on metallic gloss, 260 gsm.
Lead time
Unframed: 5 to 10 business days. Framed and acrylic: 10 to 20.
Holding a solo exhibition in one of the spaces I've photographed would also be a dream, particularly at a site with a strong community connection - so the images can be enjoyed by the people who made it matter.
The Guardian
On the LC archive.
I'm not trying to make out like I'm some kind of mysterious urbex badass. Lost Collective isn't about me. It's about the places I shoot and even more about the connection that the people have to the sites.
Broadsheet
On the LC archive.
Often I'd find myself looking at the machines and architecture and challenging myself to find one single object designed purely for aesthetics. Craftsmanship made way for efficiency in engineering long before I'd even left school.
The Guardian
On the LC archive.