Fireplace at The Asylum, a wide formal room with pale green walls and coffered ceilings.

01 NewNew South Wales2018 - 2020

ISO 10010sf/8.024mm

Theme · 30 prints

New

Photographed 2018 - 2020
Frames 30
Camera NIKON D850 · NIKON Z 7
Location New South Wales, Australia · Leichhardt, Sydney · Rural New South Wales and ACT, Australia · Australia and Japan · central west New South Wales, Australia
03 PRINTS

Prints in this collection

Hand-signed and numbered, printed from the original RAW file. Open editions in the two smallest sizes; limited editions of 100, 50 and 25 in the three larger, never reissued once they sell through.

3 Sisters Motel Sign at Hotel Motel 101, red neon outlines the tall MOTEL blade.
3 Sisters Motel Sign
Dead Silence at Landscapes, a single sodium vapour streetlight burns on a timber power pole.
Dead Silence
Fireplace at The Asylum, a wide formal room with pale green walls and coffered ceilings.
Fireplace
Mt Kuring-Gai Motel Sign at Hotel Motel 101, the neon sign for Mt Kuring-gai Motel burns against a black sky.
Mt Kuring-Gai Motel Sign
Stone Drover's Hut at A Place to Call Home, a stone cottage sits low against open grassland, its rough-cut walls catching.
Stone Drover's Hut
Bathrooms at Waterfall Sanatorium, a brown vinyl armchair sits centre-frame on a floor thick with plaster dust and debris.
Bathrooms
Autopsy Table at The Asylum, a dusty autopsy table in the morgue of an abandoned asylum.
Autopsy Table
Arches at Waterfall Sanatorium, a large empty room in Waterfall Sanatorium.
Arches
Encroach at Waterfall Sanatorium, vegetation slowly making its way from the outside to the interior of the building.
Encroach
The Snowy River Way at Landscapes, a single lane of asphalt cuts through open grazing country, snaking down into a valley.
The Snowy River Way
Give Way at Landscapes, a galvanised steel post rises from long grass on a bare hillside.
Give Way
Dalgety Petrol Station at Landscapes, three fuel pumps stand on a concrete island at Dalgety's roadside service station.
Dalgety Petrol Station
Blayney Rainbow at Landscapes, a rainbow stretching across farmland in the Central West New South Wales township of Blayney.
Blayney Rainbow
Solitude at Landscapes, stubble rows run in straight lines across a harvested grain field, dark furrows cutting through dry.
Solitude
Twin Cities at Landscapes, an industrial city in front of a hazy capital city.
Twin Cities
Boco Rock Turbine at Landscapes, a wind turbine atop an almost perfect winding road.
Boco Rock Turbine
Night Call at Landscapes, a Telstra payphone stands alone at the edge of a roadside verge.
Night Call
Delegate Shearers Front at A Place to Call Home, part of a historic shearing complex on the edge of Delegate, not far.
Delegate Shearers Front
Dalgety Down The Range at A Place to Call Home, a small stone hut sitting alone on a grassy plain which extends well.
Dalgety Down The Range
Bemboka Blues at A Place to Call Home, this tired, weatherboard home cuts a lonely figure amongst a vast landscape before.
Bemboka Blues
Ironmungie Road Woolshed at The Woolshed, a very neat and tidy looking woolshed in Dalgety.
Ironmungie Road Woolshed
Maffra Woolshed at The Woolshed, an old woolshed around Maffra with a patchwork of corrugated iron sheeting.
Maffra Woolshed
Jimenbuen Woolshed at The Woolshed, a corrugated iron woolshed on a Jimenbuen Hillside.
Jimenbuen Woolshed
Beloka Woolshed at The Woolshed, corrugated iron in silver and rust.
Beloka Woolshed
Numbla Vale Cottages & Woolshed at A Place to Call Home, a flock of birds flying above a cluster of farm workers cottages.
Numbla Vale Cottages & Woolshed
Crutching Shed in the Wet at The Woolshed, a corrugated iron crutching shed sits low in tussocked grassland, its galvanised.
Crutching Shed in the Wet
Clocktower Ladders at The Asylum, rough concrete block walls rise vertically on all sides, narrowing toward a steel ladder.
Clocktower Ladders
Sluice Room at The Asylum, a narrow sluice room lined with white ceramic tiles to waist height.
Sluice Room
The Green Room at The Asylum, a deserted room with raunchy hand-painted works above the windows.
The Green Room
The Back Kitchen at The Asylum, green paint peels from steel benchtop cabinets along the right wall.
The Back Kitchen
04 ABOUT THE PRINTS

How they’re made

Made to order by Brett in Sydney, from the original RAW file. Each print is hand-signed and numbered before it ships.

Paper

Ilford Galerie cotton rag, 310 gsm. Acrylic on metallic gloss, 260 gsm.

Editions

Open in XS and S. Limited in M (100), L (50), XL (25). From $100.

Print tiers →

Lead time

Unframed: 5 to 10 business days. Framed and acrylic: 10 to 20.

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