Candelo Hills
Provenance
- Camera
- NIKON D810
- Lens
- 80.0-400.0 mm f/4.5-5.6
- Settings
- 250mm · f/8.0 · 1/1250 · ISO 2500
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
A single-storey timber farmhouse sits on an open hillside. The corrugated iron roof is heavily rusted. A brick chimney rises above the ridgeline. Scrub and long grass press against the verandah posts. Dry eucalypt hills run along the background. No outbuildings visible in frame.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Candelo Hills
- Series
- A Place to Call Home
- Catalogue
- PCH-007
- Process
- Giclée
- Captured
- 26 December 2016
- Camera
- NIKON D810
- Lens
- 80.0-400.0 mm f/4.5-5.6
- Aperture
- f/8.0
- Shutter
- 1/1250 s
- ISO
- 2500
- Focal length
- 250 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Rural New South Wales and ACT, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
About this print
A timber farmhouse holds its place on a hillside in rural New South Wales, the corrugated iron roof streaked deep rust-brown and a brick chimney standing above the ridgeline. Scrub and long grass have moved in against the verandah posts; dry eucalypt hills fill the background. Buildings like this one represent the physical residue of pastoral settlement across the region, structures that outlasted the families and economic conditions that built them, now sitting outside the reach of formal heritage protection.
Brett Patman
The series
A Place to Call Home
A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.
Print sizes
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