House On The Hill
Provenance
- Camera
- NIKON D810
- Lens
- 80.0-400.0 mm f/4.5-5.6
- Settings
- 320mm · f/13.0 · 1/20 · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
A derelict timber house sits on an open hill with no shelter around it. The facade is bleached pale by weathering. Multiple windows are broken or missing entirely. The surrounding landscape is flat and silent. The structure remains standing but is yielding to the elements.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
Shipping Free shipping over $250. Ships worldwide, rates calculated at checkout.
Returns Damaged in transit? We replace it. Full policy →
Ships within 10 business days · signed & numbered
In situ





Print datasheet
- Title
- House On The Hill
- Series
- A Place to Call Home
- Catalogue
- PCH-002
- Process
- Giclée
- Captured
- 20 December 2016
- Camera
- NIKON D810
- Lens
- 80.0-400.0 mm f/4.5-5.6
- Aperture
- f/13.0
- Shutter
- 1/20 s
- ISO
- 100
- Focal length
- 320 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Rural New South Wales and ACT, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
About this print
The house stands on a bare hill with nothing to break the wind, its timber facade sun-bleached and its windows long gone. Buildings like this one mark the full arc of rural settlement across the Snowy Monaro and Hunter Valley, from the first squatter huts of the 1830s through the selector cottages that followed the Robertson Land Acts of 1861, to the slow emptying that came after drought, rabbit plague, and collapsing wool prices left marginal properties unworkable. Most now sit outside formal heritage protection, between the alpine huts maintained by volunteer organisations and the town buildings listed in council registers. Collapse is the only trajectory.
Brett Patman
The series
A Place to Call Home
A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.
Print sizes
The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.
| Type | Size | Width | Height |
|---|