House On The Hill

Provenance

Camera
NIKON D810
Lens
80.0-400.0 mm f/4.5-5.6
Settings
320mm · f/13.0 · 1/20 · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A derelict timber house sits on an open hill with no shelter around it. The facade is bleached pale by weathering. Multiple windows are broken or missing entirely. The surrounding landscape is flat and silent. The structure remains standing but is yielding to the elements.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 10 to 20 business days (framed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

House On The Hill at A Place to Call Home, a single concrete structure sits on an exposed ridge above the Snowy Mountains.House On The Hill at A Place to Call Home, a single concrete structure sits on an exposed ridge above the Snowy Mountains.House On The Hill at A Place to Call Home, a single concrete structure sits on an exposed ridge above the Snowy Mountains.House On The Hill at A Place to Call Home, a single concrete structure sits on an exposed ridge above the Snowy Mountains.House On The Hill at A Place to Call Home, a single concrete structure sits on an exposed ridge above the Snowy Mountains.
01 PROVENANCE

Print datasheet

Title
House On The Hill
Series
A Place to Call Home
Catalogue
PCH-002
Process
Giclée
Captured
20 December 2016
Camera
NIKON D810
Lens
80.0-400.0 mm f/4.5-5.6
Aperture
f/13.0
Shutter
1/20 s
ISO
100
Focal length
320 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Rural New South Wales and ACT, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
03 THE STORY

About this print

The house sits on the crown of a bare hill with no tree, no fence, no outbuilding left standing nearby to give it company. The timber facade has been bleached by years of sun and wind to the colour of dry bone. The windows are broken, the frames open to whatever weather comes. From a distance the building reads as a silhouette; up close, the grain of the timber and the slow working of the elements become the whole subject. The A Place to Call Home series documents vernacular rural structures across the Snowy Monaro region of southern New South Wales and the Hunter Valley, photographed by Brett Patman between 2016 and 2019. The buildings in the series represent the full span of European rural settlement in those regions: squatter huts established from the late 1820s onward, selector's cottages built after the Robertson Land Acts of 1861 opened Crown land to purchase at one pound per acre, and the consolidated pastoral infrastructure of the wool boom era of the 1870s to 1890s. Three waves of decline shaped what survives. The Federation drought and rabbit plague of the 1890s halved sheep numbers across New South Wales. The Snowy Mountains Hydro-electric Scheme, constructed between 1949 and 1974, inundated thousands of hectares of farmland and displaced pastoral communities at Jindabyne and Adaminaby. The collapse of the Wool Reserve Price Scheme in 1991 drove wool prices to approximately three dollars per kilogram and removed the last economic margin from properties that were already struggling. Each wave left more buildings standing empty. Most of the structures in this series fall outside formal heritage protection. The alpine huts of the Australian Alps National Parks have volunteer organisations and parks staff maintaining them. Town buildings appear in council heritage registers. The isolated pastoral buildings between those two categories occupy a gap where no protection applies. This house on its hill is one of them. The photograph is what remains of a record.

04 FROM THE FIELD NOTES

The house stands on a bare hill with nothing to break the wind, its timber facade sun-bleached and its windows long gone. Buildings like this one mark the full arc of rural settlement across the Snowy Monaro and Hunter Valley, from the first squatter huts of the 1830s through the selector cottages that followed the Robertson Land Acts of 1861, to the slow emptying that came after drought, rabbit plague, and collapsing wool prices left marginal properties unworkable. Most now sit outside formal heritage protection, between the alpine huts maintained by volunteer organisations and the town buildings listed in council registers. Collapse is the only trajectory.

Brett Patman

A Place to Call Home

The series

A Place to Call Home

2015–2020 · 60 photographs

A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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