House On The Hill
Provenance
- Camera
- NIKON D810
- Lens
- 80.0-400.0 mm f/4.5-5.6
- Settings
- 320mm · f/13.0 · 1/20 · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
A derelict house stands exposed on a lonely hill, its timber facade bleached by sun and wind. Broken windows stare out across a silent landscape. This forgotten dwelling slowly yields to time and the elements.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ
Print datasheet
- Title
- House On The Hill
- Series
- A Place to Call Home
- Catalogue
- PCH-002
- Process
- Giclée
- Captured
- 20 December 2016
- Camera
- NIKON D810
- Lens
- 80.0-400.0 mm f/4.5-5.6
- Aperture
- f/13.0
- Shutter
- 1/20 s
- ISO
- 100
- Focal length
- 320 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Rural New South Wales and ACT, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
A single concrete structure sits on an exposed ridge above the Snowy Mountains Highway near Bemboka. Red corrugated iron roof, faded to rust at the edges. One small window, glass still intact. The far side opens to slatted timber. Tussock grass covers the hillside in dry clumps, pale gold against the blue-grey eucalypt ranges behind. Late afternoon haze softens the mountains into layered silhouettes. A lone fence post stands to the right. No road, no track, no neighbouring building.
Brett Patman
The series
A Place to Call Home
A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.
Print sizes
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