Matong Hut

Provenance

Camera
NIKON Z 7
Lens
180.0-400.0 mm f/4.0
Settings
180mm · f/4.0 · 1/250 · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Timber-framed hut with weathered, pink-painted walls beneath a corrugated iron roof. A brick chimney at one end. Flat grass paddocks extending to the horizon in every direction. Low cloud building along the skyline. No surrounding trees visible in the frame.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
See certificate sample →

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Ships within 10 business days · signed & numbered

In situ

Matong Hut at A Place to Call Home, unframed print displayed in situ on a wall.Matong Hut at A Place to Call Home, white-framed print displayed in situ on a wall.Matong Hut at A Place to Call Home, black-framed print displayed in situ on a wall.Matong Hut at A Place to Call Home, raw timber-framed print displayed in situ on a wall.Matong Hut at A Place to Call Home, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
Matong Hut
Series
A Place to Call Home
Catalogue
PCH-051
Process
Giclée
Captured
30 December 2018
Camera
NIKON Z 7
Lens
180.0-400.0 mm f/4.0
Aperture
f/4.0
Shutter
1/250 s
ISO
100
Focal length
180 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Rural New South Wales and ACT, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
03 THE STORY

About this print

The paint is still pink, just barely. Decades of sun and wind have pulled the colour back to something closer to a memory of pink, but it is there in the timber boards, a detail that makes this building stranger and more particular than most. A brick chimney rises at one end of the corrugated iron roof. Grass paddocks stretch flat in every direction, and cloud sits low on the horizon, the kind of sky that makes the open country feel wider than it already is. Buildings like this one were constructed to serve a working property, not to outlast it. Across rural New South Wales, from the Snowy Monaro to the Hunter Valley, the vernacular tradition of small timber outbuildings ran alongside the larger homesteads and woolsheds of pastoral stations. They sheltered workers, stored equipment, or served as secondary quarters, built quickly from available materials with no expectation of permanence. The corrugated iron roof is characteristic of the later phases of this building type. Earlier structures used bark sheets or wooden shingles; galvanised iron, when it became available and affordable, replaced both and was retrofitted to older buildings across the region. The brick chimney is a more substantial commitment, suggesting a building expected to serve through cold seasons, a fireplace meaning habitation, not just storage. What the photograph records in 2018 is a structure that has outlasted its purpose by some years. The walls stand, the roof holds, the chimney is intact. The paddocks around it are empty. Nothing in the frame tells you who built this, or when, or what the rooms once held. What it does tell you is the particular quality of light and sky and flat ground that makes rural New South Wales look unlike anywhere else in the country.

04 FROM THE FIELD NOTES

The paint has faded to a pale wash, but the pink is still there if you look. Timber walls, a brick chimney, corrugated iron overhead, and flat paddocks running out in every direction until the horizon closes in with cloud. This is the kind of building that sat at the edge of a working property for generations, modest by any measure, built to do a job rather than to last. Rural New South Wales is full of them, and most are gone.

Brett Patman

A Place to Call Home

The series

A Place to Call Home

2015–2020 · 60 photographs

A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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