Brown Mountain Backdrop
Provenance
- Camera
- NIKON Z 7
- Lens
- 250.0-560.0 mm f/5.6
- Settings
- 560mm · f/5.6 · 1/640 · ISO 500
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
A single-room timber and corrugated iron dairy hut on a green ridge. Corrugated iron walls show deep rust and peeling paint. The walls lean slightly on their stumps. Brown Mountain fills the background as a dense eucalypt canopy, blue-grey in haze.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Brown Mountain Backdrop
- Series
- A Place to Call Home
- Catalogue
- PCH-001
- Process
- Giclée
- Captured
- 30 December 2018
- Camera
- NIKON Z 7
- Lens
- 250.0-560.0 mm f/5.6
- Aperture
- f/5.6
- Shutter
- 1/640 s
- ISO
- 500
- Focal length
- 560 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Various, Australia
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
About this print
A weathered timber and corrugated iron dairy building sits on a ridge near Brown Mountain in the Bega Valley, the mountain rising as a wall of eucalypt forest behind it. Buildings like this were the farm-scale infrastructure of one of NSW's most productive dairy districts. The Bega Valley supplied almost half of the state's total cheese production by 1900. On-farm dairy rooms became standard after the centrifugal cream separator arrived in the 1880s, and were made redundant when bulk milk collection with refrigerated vats replaced on-site cream separation in 1966. Photographed in 2018.
Brett Patman
The series
A Place to Call Home
A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.
Print sizes
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