Attic Entrance
Provenance
- Camera
- NIKON D7000
- Lens
- 24.0-70.0 mm f/2.8
- Settings
- 24mm · f/8.0 · 0.6s · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
A metal staircase with a yellow handrail climbs toward a small attic storage opening, its uprights dense with red spray paint. A fish-like creature in yellow, orange, and blue fills the wall above blue shelving units and cabinets, all of it layered with tags. The white door to the right disappears under overlapping paint drips, and a small round clock remains fixed to the wall beside the staircase.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Attic Entrance
- Series
- Graffiti & Urban Decay
- Catalogue
- GUD-003
- Process
- Giclée
- Captured
- 8 November 2015
- Camera
- NIKON D7000
- Lens
- 24.0-70.0 mm f/2.8
- Aperture
- f/8.0
- Shutter
- 0.6s s
- ISO
- 100
- Focal length
- 24 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Chatswood, New South Wales, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
Chatswood, New South Wales, Australia
Map · Mapbox · OpenStreetMap
About this print
A staircase of bare timber boards climbs toward a dark attic opening, the walls around it shedding plaster and paint in equal measure. This is the workshop and service centre of Sundell Holden, an authorised Holden dealer at Smith Street, Chatswood East, assigned dealer code 610 in the Holden network. The building stood vacant after the workshop closed, and before long the walls downstairs became a surface for street art. Upstairs, the decay was quieter. Woolworths opened on the site in October 2022.
Brett Patman
The series
Graffiti & Urban Decay
Buildings don't stay empty. Once the owners leave, somebody else arrives. Walls that were blank become a record of who came through and when. Graffiti isn't vandalism on these surfaces , it's the only remaining evidence that anyone cared enough to be here.Urban spaces mid-collapse. The gap between what a building was built for and what it became.
Print sizes
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