Annaka Farm Shed

Provenance

Camera
NIKON D7000
Lens
70.0-200.0 mm f/4.0
Settings
105mm · f/4.0 · 1/500 · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A corrugated-iron farm shed at Annaka in Gunma. Rust has bled down the wall panels in long lines. A lean-to roof sags over timber posts. Cornflowers and wild grasses press against the base of the shed. A mountain range rises across the horizon behind the shed.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Annaka Farm Shed at Landscapes, unframed print displayed in situ on a wall.Annaka Farm Shed at Landscapes, white-framed print displayed in situ on a wall.Annaka Farm Shed at Landscapes, black-framed print displayed in situ on a wall.Annaka Farm Shed at Landscapes, raw timber-framed print displayed in situ on a wall.Annaka Farm Shed at Landscapes, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
Annaka Farm Shed
Process
Giclée
Captured
5 May 2016
Camera
NIKON D7000
Lens
70.0-200.0 mm f/4.0
Aperture
f/4.0
Shutter
1/500 s
ISO
100
Focal length
105 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
297 × 210 mm
Location
Annaka, Gunma, Japan
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Annaka, Gunma, Japan

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

Purple, white and blue wildflowers crowd the foreground in front of a corrugated-iron shed at Annaka in Gunma, its walls streaked with long rust stains that bleed downward in broad, irregular channels. Concrete blocks sit on the roof as improvised weights. Sections of weathered timber rafter are exposed where the iron has pulled away, and a lean-to roof sags over timber posts at one end. A mountain range rises across the horizon behind the structure, sharp under an open sky.

Brett photographed this shed on 5 May 2016, on the Nikon D7000 he was carrying at the time. The Landscapes collection covers his wider travel photography across Australia and Japan rather than the abandoned-places work the Lost Collective is built on, and this is a working rural shed with no documented history attached to it. That is most of the point. There is no architect and no record here: the building is held together by whatever was to hand, including the blocks weighting the roof down against the wind. The frame gives it the attention usually reserved for something listed. The flowers have taken the ground in front, the iron has been rusting down the wall for years, and the range behind is doing the work a backdrop does.

04 FROM THE FIELD NOTES

Flowers and long grass on a Japanese farm.

Brett Patman

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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