Air Compressor

Provenance

Camera
NIKON D7000
Lens
24.0-70.0 mm f/2.8
Settings
42mm · f/8.0 · 1/25 · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A rotary air compressor against a rough stone cutting. Pipes cross broken gravel ground. A rusted ladder leans against the cooling unit. Graffiti covers part of the casing. Vegetation grows up through the gravel around the base. Natural light from above, no artificial lighting visible.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Air Compressor at Hornsby Quarry, unframed print displayed in situ on a wall.Air Compressor at Hornsby Quarry, white-framed print displayed in situ on a wall.Air Compressor at Hornsby Quarry, black-framed print displayed in situ on a wall.Air Compressor at Hornsby Quarry, raw timber-framed print displayed in situ on a wall.Air Compressor at Hornsby Quarry, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
Air Compressor
Series
Graffiti & Urban Decay
Catalogue
GUD-001
Process
Giclée
Captured
7 November 2015
Camera
NIKON D7000
Lens
24.0-70.0 mm f/2.8
Aperture
f/8.0
Shutter
1/25 s
ISO
100
Focal length
42 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Hornsby, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Hornsby, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

A rotary air compressor rests against the rough stone cutting at Hornsby Quarry, pipes splayed across the broken ground, a rusted ladder leaning against the cooling unit. Graffiti marks the casing. Vegetation has pushed through the gravel around its base, the kind of slow reclamation that takes years and then, suddenly, looks permanent. Hornsby Quarry sits in Old Mans Valley, off Quarry Road in Hornsby, within a Jurassic diatreme, a volcanic neck that punched through Sydney Basin sandstone somewhere between 146 and 200 million years ago. The dolerite it left behind, dense and resistant, was exactly what road builders needed. Quarrying began around 1905 under the Higgins family, whose connection to the valley stretched back to an 1824 land grant. Hornsby Shire Council purchased the operation in 1912 to secure a reliable supply of blue metal for its road network. Hornsby Blue Metal Limited took over in 1924, and by 1959 the site was operating under Farley and Lewers, later absorbed into CSR Construction Materials. At its working peak, the quarry extracted approximately 110,000 tonnes of crushed dolerite per year. Operations ceased in 2002. Ownership passed to Hornsby Shire Council in 2003 after the NSW Land and Environment Court determined compensation of $26,508,771.28. The crusher plant buildings remained on site, along with the machinery the last shift left behind. This photograph, made in 2015, records the compressor where it sat in the years between closure and the large-scale rehabilitation works that followed. By the time the NorthConnex tunnel project began filling the quarry void with excavated spoil in 2017, the site was already well into its slow transition. The compressor, the pipes, the gravel, the graffiti, the creeping vegetation: a record of what the quarry looked like in the quiet years between one use and the next.

04 FROM THE FIELD NOTES

A rotary air compressor sits against the exposed rock face at Hornsby Quarry, pipes trailing across the broken ground and a rusted ladder leaning nearby. Vegetation has pushed through the gravel around it. Hornsby Quarry worked a Jurassic dolerite diatreme in Old Mans Valley from around 1905, supplying blue metal for road construction across northern Sydney under a succession of operators before quarrying ceased in 2002. The compressor is one of the remnants that stayed behind when the site went quiet.

Brett Patman

Graffiti & Urban Decay

The series

Graffiti & Urban Decay

54 photographs

Buildings don't stay empty. Once the owners leave, somebody else arrives. Walls that were blank become a record of who came through and when. Graffiti isn't vandalism on these surfaces , it's the only remaining evidence that anyone cared enough to be here.Urban spaces mid-collapse. The gap between what a building was built for and what it became.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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