Air Compressor
Provenance
- Camera
- NIKON D7000
- Lens
- 24.0-70.0 mm f/2.8
- Settings
- 42mm · f/8.0 · 1/25 · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
A rotary air compressor against a rough stone cutting. Pipes cross broken gravel ground. A rusted ladder leans against the cooling unit. Graffiti covers part of the casing. Vegetation grows up through the gravel around the base. Natural light from above, no artificial lighting visible.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Air Compressor
- Series
- Graffiti & Urban Decay
- Catalogue
- GUD-001
- Process
- Giclée
- Captured
- 7 November 2015
- Camera
- NIKON D7000
- Lens
- 24.0-70.0 mm f/2.8
- Aperture
- f/8.0
- Shutter
- 1/25 s
- ISO
- 100
- Focal length
- 42 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Hornsby, New South Wales, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
Hornsby, New South Wales, Australia
Map · Mapbox · OpenStreetMap
About this print
A rotary air compressor sits against the exposed rock face at Hornsby Quarry, pipes trailing across the broken ground and a rusted ladder leaning nearby. Vegetation has pushed through the gravel around it. Hornsby Quarry worked a Jurassic dolerite diatreme in Old Mans Valley from around 1905, supplying blue metal for road construction across northern Sydney under a succession of operators before quarrying ceased in 2002. The compressor is one of the remnants that stayed behind when the site went quiet.
Brett Patman
The series
Graffiti & Urban Decay
Buildings don't stay empty. Once the owners leave, somebody else arrives. Walls that were blank become a record of who came through and when. Graffiti isn't vandalism on these surfaces , it's the only remaining evidence that anyone cared enough to be here.Urban spaces mid-collapse. The gap between what a building was built for and what it became.
Print sizes
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