Conveyor Eight
Provenance
- Camera
- NIKON D7000
- Lens
- 24.0-70.0 mm f/2.8
- Settings
- 24mm · f/8.0 · 8s · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
A collapsed conveyor lies across a concrete floor. Steel structural framing leans at angles above it. Corrugated metal walls are covered on every surface with graffiti. Dry grass and debris are scattered across the floor. Daylight enters from gaps in the structure.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Conveyor Eight
- Series
- Graffiti & Urban Decay
- Catalogue
- GUD-005
- Process
- Giclée
- Captured
- 7 November 2015
- Camera
- NIKON D7000
- Lens
- 24.0-70.0 mm f/2.8
- Aperture
- f/8.0
- Shutter
- 8s s
- ISO
- 100
- Focal length
- 24 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Hornsby, New South Wales, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
Hornsby, New South Wales, Australia
Map · Mapbox · OpenStreetMap
About this print
Inside one of the remnant crusher plant buildings at Hornsby Quarry, Conveyor Eight has come down. Steel framing leans over it, graffiti covers the corrugated walls on all sides, and dry grass has taken hold between the debris on the concrete. The quarry ran from around 1905 until 2002, supplying crushed dolerite as road base for northern Sydney under a succession of operators. By 2015, the processing shed stood intact in form but emptied of purpose, its machinery collapsed where it once carried aggregate.
Brett Patman
The series
Graffiti & Urban Decay
Buildings don't stay empty. Once the owners leave, somebody else arrives. Walls that were blank become a record of who came through and when. Graffiti isn't vandalism on these surfaces , it's the only remaining evidence that anyone cared enough to be here.Urban spaces mid-collapse. The gap between what a building was built for and what it became.
Print sizes
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