Conveyor Eight
Provenance
- Camera
- NIKON D7000
- Lens
- 24.0-70.0 mm f/2.8
- Settings
- 24mm · f/8.0 · 8s · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
Conveyor eight lies collapsed across the floor of the processing shed at Hornsby Quarry. Steel framing leans at angles above it. Graffiti covers the corrugated walls on every side. Dry grass and debris on the concrete.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ
Print datasheet
- Title
- Conveyor Eight
- Series
- Graffiti & Urban Decay
- Catalogue
- GUD-005
- Process
- Giclée
- Captured
- 7 November 2015
- Camera
- NIKON D7000
- Lens
- 24.0-70.0 mm f/2.8
- Aperture
- f/8.0
- Shutter
- 8s s
- ISO
- 100
- Focal length
- 24 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Hornsby, New South Wales, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
Hornsby, New South Wales, Australia
Map · Mapbox · OpenStreetMap
A cross-sectional view of a conveyor.
Brett Patman
The series
Graffiti & Urban Decay
Buildings don't stay empty. Once the owners leave, somebody else arrives. Walls that were blank become a record of who came through and when. Graffiti isn't vandalism on these surfaces , it's the only remaining evidence that anyone cared enough to be here.Urban spaces mid-collapse. The gap between what a building was built for and what it became.
Print sizes
The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.
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