Level Two
Provenance
- Camera
- NIKON D7000
- Lens
- 24.0-70.0 mm f/2.8
- Settings
- 24mm · f/8.0 · 15s · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
Diamond-patterned mesh screens a doorway opening in a stripped interior at the Hornsby Quarry processing plant. Light spills across the floor, revealing scattered straw debris, a pair of ribbed ventilation hoses propped against the concrete block wall, and a stone grinding wheel resting where it was left. Straw is compressed against the ceiling joists, with loose falls gathered at the base of the screen.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Level Two
- Series
- Graffiti & Urban Decay
- Catalogue
- GUD-007
- Process
- Giclée
- Captured
- 7 November 2015
- Camera
- NIKON D7000
- Lens
- 24.0-70.0 mm f/2.8
- Aperture
- f/8.0
- Shutter
- 15s s
- ISO
- 100
- Focal length
- 24 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Hornsby, New South Wales, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
Hornsby, New South Wales, Australia
Map · Mapbox · OpenStreetMap
About this print
Diamond-patterned mesh screens a doorway opening in a stripped interior at the Hornsby Quarry processing plant.
Brett Patman
The series
Graffiti & Urban Decay
Buildings don't stay empty. Once the owners leave, somebody else arrives. Walls that were blank become a record of who came through and when. Graffiti isn't vandalism on these surfaces , it's the only remaining evidence that anyone cared enough to be here.Urban spaces mid-collapse. The gap between what a building was built for and what it became.
Print sizes
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