Level Two

Provenance

Camera
NIKON D7000
Lens
24.0-70.0 mm f/2.8
Settings
24mm · f/8.0 · 15s · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Tiered rock terraces descend in steps through the quarry walls. Standing water fills the lower level, reflecting the exposed dolerite faces above. The rock walls show banding and jointing across the full height of the void. No machinery or structures are visible.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Level Two at Hornsby Quarry, unframed print displayed in situ on a wall.Level Two at Hornsby Quarry, white-framed print displayed in situ on a wall.Level Two at Hornsby Quarry, black-framed print displayed in situ on a wall.Level Two at Hornsby Quarry, raw timber-framed print displayed in situ on a wall.Level Two at Hornsby Quarry, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
Level Two
Series
Graffiti & Urban Decay
Catalogue
GUD-007
Process
Giclée
Captured
7 November 2015
Camera
NIKON D7000
Lens
24.0-70.0 mm f/2.8
Aperture
f/8.0
Shutter
15s s
ISO
100
Focal length
24 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Hornsby, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Hornsby, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

The photograph looks across the stepped excavation terraces of Hornsby Quarry, the rock walls cutting down through more than 100 m of exposed dolerite to water pooled at the base of the void. The terracing is the record of a working operation: each level marking a period of extraction, the walls growing steeper and the floor dropping further as quarrying progressed through the twentieth century. The quarry sits within the Hornsby diatreme, a large oval volcanic structure approximately 1.5 km across at its longest axis. The diatreme is the largest volcanic neck in the Sydney Basin, formed in the Jurassic period between 146 and 200 million years ago, extruding through the sandstone deposits of the Sydney Basin. Quarrying exposed a cross-section through that volcanic neck that geologists now rank as internationally significant. Dolerite extraction began on the site around 1905 under the Higgins family, whose ancestors had farmed Old Mans Valley since the 1830s on volcanic soil far more fertile than the surrounding sandstone country. Hornsby Shire Council purchased the quarry in 1912, recognising the strategic value of local dolerite for road construction. Operations passed through several operators over the following decades, including Hornsby Blue Metal Limited, Farley and Lewers, and ultimately CSR Construction Materials, before quarrying ceased in 2002. The crushed dolerite produced here was the primary blue metal source for road base across northern Sydney throughout most of the twentieth century. At its recorded extraction rate of approximately 110,000 tonnes per year, the quarry cut steadily deeper, leaving the stepped void visible in this frame. Photographed in 2015, the water at the base of the terraces reflects the full height of the exposed rock walls. The void at that point had been idle for more than a decade. Within two years, more than one million cubic metres of spoil from the NorthConnex tunnel project would begin filling it.

04 FROM THE FIELD NOTES

The terraced walls of Hornsby Quarry drop more than 100 m through a Jurassic volcanic neck hidden beneath suburban Hornsby. Quarrying dolerite for road base and aggregate from around 1905, the site produced crushed blue metal for northern Sydney's road network across most of the twentieth century. Operations ceased in 2002. Water now sits in the base of the void, reflecting the same rock walls that drew quarrymen, geologists, and eventually the heritage register.

Brett Patman

Graffiti & Urban Decay

The series

Graffiti & Urban Decay

54 photographs

Buildings don't stay empty. Once the owners leave, somebody else arrives. Walls that were blank become a record of who came through and when. Graffiti isn't vandalism on these surfaces , it's the only remaining evidence that anyone cared enough to be here.Urban spaces mid-collapse. The gap between what a building was built for and what it became.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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