Level Two

Provenance

Camera
NIKON D7000
Lens
24.0-70.0 mm f/2.8
Settings
24mm · f/8.0 · 15s · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Diamond-patterned mesh screens a doorway opening in a stripped interior at the Hornsby Quarry processing plant. Light spills across the floor, revealing scattered straw debris, a pair of ribbed ventilation hoses propped against the concrete block wall, and a stone grinding wheel resting where it was left. Straw is compressed against the ceiling joists, with loose falls gathered at the base of the screen.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
See certificate sample →

Shipping Free shipping over $250. Ships worldwide, rates calculated at checkout.

Returns Damaged in transit? We replace it. Full policy →

Ships within 10 business days · signed & numbered

In situ

Level Two at Hornsby Quarry, unframed print displayed in situ on a wall.Level Two at Hornsby Quarry, white-framed print displayed in situ on a wall.Level Two at Hornsby Quarry, black-framed print displayed in situ on a wall.Level Two at Hornsby Quarry, raw timber-framed print displayed in situ on a wall.Level Two at Hornsby Quarry, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
Level Two
Series
Graffiti & Urban Decay
Catalogue
GUD-007
Process
Giclée
Captured
7 November 2015
Camera
NIKON D7000
Lens
24.0-70.0 mm f/2.8
Aperture
f/8.0
Shutter
15s s
ISO
100
Focal length
24 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Hornsby, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Hornsby, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

Diamond-patterned mesh screens a doorway opening in a stripped interior at the Hornsby Quarry processing plant. Light spills across the floor, revealing scattered straw debris, a pair of ribbed ventilation hoses propped against the concrete block wall, and a stone grinding wheel resting where it was left. Straw is compressed against the ceiling joists, with loose falls gathered at the base of the screen. The quarry sits within the Hornsby diatreme, a large oval volcanic structure approximately 1.5 km across at its longest axis. The diatreme is the largest volcanic neck in the Sydney Basin, formed in the Jurassic period between 146 and 200 million years ago, extruding through the sandstone deposits of the Sydney Basin. Quarrying exposed a cross-section through that volcanic neck that geologists now rank as internationally significant. Dolerite extraction began on the site around 1905 under the Higgins family, whose ancestors had farmed Old Mans Valley since the 1830s on volcanic soil far more fertile than the surrounding sandstone country. Hornsby Shire Council purchased the quarry in 1912, recognising the strategic value of local dolerite for road construction. Operations passed through several operators over the following decades, including Hornsby Blue Metal Limited, Farley and Lewers, and ultimately CSR Construction Materials, before quarrying ceased in 2002. The crushed dolerite produced here was the primary blue metal source for road base across northern Sydney throughout most of the twentieth century. At its recorded extraction rate of approximately 110,000 tonnes per year, the quarry cut steadily deeper, leaving the void beyond these walls. Photographed in 2015, the plant had been idle for more than a decade. Within two years, more than one million cubic metres of spoil from the NorthConnex tunnel project would begin filling it.

04 FROM THE FIELD NOTES

Diamond-patterned mesh screens a doorway opening in a stripped interior at the Hornsby Quarry processing plant.

Brett Patman

Graffiti & Urban Decay

The series

Graffiti & Urban Decay

54 photographs

Buildings don't stay empty. Once the owners leave, somebody else arrives. Walls that were blank become a record of who came through and when. Graffiti isn't vandalism on these surfaces , it's the only remaining evidence that anyone cared enough to be here.Urban spaces mid-collapse. The gap between what a building was built for and what it became.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
08 BY POST · NO SPAM

Read the full story

Articles when they're published. The history behind a place. The day of a shoot. The work between prints. No marketing, no schedule.

You're subscribed.