Level Two
Provenance
- Camera
- NIKON D7000
- Lens
- 24.0-70.0 mm f/2.8
- Settings
- 24mm · f/8.0 · 15s · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
Tiered rock terraces descend in steps through the quarry walls. Standing water fills the lower level, reflecting the exposed dolerite faces above. The rock walls show banding and jointing across the full height of the void. No machinery or structures are visible.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Level Two
- Series
- Graffiti & Urban Decay
- Catalogue
- GUD-007
- Process
- Giclée
- Captured
- 7 November 2015
- Camera
- NIKON D7000
- Lens
- 24.0-70.0 mm f/2.8
- Aperture
- f/8.0
- Shutter
- 15s s
- ISO
- 100
- Focal length
- 24 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Hornsby, New South Wales, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
Hornsby, New South Wales, Australia
Map · Mapbox · OpenStreetMap
About this print
The terraced walls of Hornsby Quarry drop more than 100 m through a Jurassic volcanic neck hidden beneath suburban Hornsby. Quarrying dolerite for road base and aggregate from around 1905, the site produced crushed blue metal for northern Sydney's road network across most of the twentieth century. Operations ceased in 2002. Water now sits in the base of the void, reflecting the same rock walls that drew quarrymen, geologists, and eventually the heritage register.
Brett Patman
The series
Graffiti & Urban Decay
Buildings don't stay empty. Once the owners leave, somebody else arrives. Walls that were blank become a record of who came through and when. Graffiti isn't vandalism on these surfaces , it's the only remaining evidence that anyone cared enough to be here.Urban spaces mid-collapse. The gap between what a building was built for and what it became.
Print sizes
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