Control Desk
Provenance
- Camera
- NIKON D7000
- Lens
- 24.0-70.0 mm f/2.8
- Settings
- 24mm · f/8.0 · 8s · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
A heavy industrial control desk occupies the centre of the frame. The angled panel carries rotary dials and switches across its face. Multiple layers of spray paint cover the desk surface. Concrete walls and timber boarding behind the desk are covered in graffiti. Natural light falls across the panel from one side.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Control Desk
- Series
- Graffiti & Urban Decay
- Catalogue
- GUD-003
- Process
- Giclée
- Captured
- 7 November 2015
- Camera
- NIKON D7000
- Lens
- 24.0-70.0 mm f/2.8
- Aperture
- f/8.0
- Shutter
- 8s s
- ISO
- 100
- Focal length
- 24 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Hornsby, New South Wales, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
Hornsby, New South Wales, Australia
Map · Mapbox · OpenStreetMap
About this print
Inside Hornsby Quarry, a control desk sits where workers once monitored operations that extracted crushed dolerite for road base across northern Sydney. Rotary dials and switches still cover the angled panel, though the surface is now layered in spray paint and the concrete walls behind it are covered in graffiti. The quarry ran from around 1905 to 2002 under a succession of operators, including Farley and Lewers from 1959 and CSR Construction Materials from 1981. This frame was made in 2015, over a decade after the last extraction.
Brett Patman
The series
Graffiti & Urban Decay
Buildings don't stay empty. Once the owners leave, somebody else arrives. Walls that were blank become a record of who came through and when. Graffiti isn't vandalism on these surfaces , it's the only remaining evidence that anyone cared enough to be here.Urban spaces mid-collapse. The gap between what a building was built for and what it became.
Print sizes
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