Abattoir Managers Quarters

Provenance

Camera
NIKON D810
Lens
80.0-400.0 mm f/4.5-5.6
Settings
400mm · f/6.3 · 1/1600 · ISO 640
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A low timber cottage rests in a hollow, its corrugated iron roof rusted to a deep brown-red. Scrub has closed in on three sides. Power lines cross the ridge above. A dirt track climbs away behind the building. No movement visible. The structure sits alone in the frame, surrounded by encroaching vegetation.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Abattoir Managers Quarters at A Place to Call Home, unframed print (print-in-situ_375dca6e-e528-4441-b7d8-cec365542382).Abattoir Managers Quarters at A Place to Call Home, white-framed print (in-situ_e75468cd-2ef8-4064-ad99-8a0ac4ac668b).Abattoir Managers Quarters at A Place to Call Home, black-framed print (in-situ_dc1e7e83-2275-4b34-a4e5-3a11cd70e68a).Abattoir Managers Quarters at A Place to Call Home, raw timber-framed print (in-situ_152fe342-e2ef-48cd-8e46-24f49b4fe375).Abattoir Managers Quarters at A Place to Call Home, glass print (in-situ_88a8cd29-dcea-4cff-939d-3dba1606ccc8).
01 PROVENANCE

Print datasheet

Title
Abattoir Managers Quarters
Series
A Place to Call Home
Catalogue
PCH-005
Process
Giclée
Captured
26 December 2016
Camera
NIKON D810
Lens
80.0-400.0 mm f/4.5-5.6
Aperture
f/6.3
Shutter
1/1600 s
ISO
640
Focal length
400 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Rural New South Wales and ACT, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
03 THE STORY

About this print

The cottage sits in a hollow, low to the ground, as though the land has been slowly pulling it down. Scrub has closed in on three sides. The corrugated iron roof has rusted deep brown-red. A dirt track climbs the hill behind, and power lines cross the ridge above, the only indication that the outside world is still nearby. Nothing moves in the frame. Timber cottages like this one went up across rural New South Wales from the 1860s onward, following the Robertson Land Acts of 1861, which allowed selectors to take up to 320 acres of Crown land at one pound per acre, with a deposit of five shillings per acre and a requirement of three years' residence. The Acts were intended to open pastoral land to small farmers, but in practice only about one-third of the 62,000 selections taken up between 1861 and 1884 across New South Wales were genuine. The rest were dummies, speculators, or squatters buying their own runs. The buildings that came out of that era were typically vernacular timber cottages: walls of split slab or weatherboard, galvanised iron roofs replacing the earlier bark and shingle, single-room floor plans with a door at one end and a window at the other. A settler with a maul, a wedge, and a broadaxe could raise a basic hut in two to three weeks. These were not buildings designed to last; they were built to be lived in, and were lived in until the land or the economics made that impossible. Three waves pushed these buildings toward abandonment. The 1890s drought and rabbit plague halved sheep numbers across New South Wales. The Snowy Mountains Hydro-electric Scheme, constructed between 1949 and 1974, inundated thousands of hectares of farmland and displaced pastoral communities in the Jindabyne and Adaminaby areas. And in 1991, the collapse of the Wool Reserve Price Scheme crashed wool prices to around three dollars per kilogram, making marginal properties economically unviable. This photograph was made in 2016, as part of Brett Patman's A Place to Call Home series documenting 59 structures across the Snowy Monaro region and the Hunter Valley. The cottage now belongs to the scrub.

04 FROM THE FIELD NOTES

A timber cottage with a rusted corrugated iron roof sits low in a hollow in rural New South Wales, scrub pressing in from every side and a dirt track climbing the hill behind it. Power lines cross the ridge above, the only evidence of a connection to somewhere else. Selector's cottages like this one went up across the Monaro and Hunter Valley from the 1860s onward, built quickly on small blocks by families who wagered everything on the land. Many did not last a generation. The buildings that remain are what that gamble left behind.

Brett Patman

A Place to Call Home

The series

A Place to Call Home

2015–2020 · 60 photographs

A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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