Abattoir Managers Quarters
Provenance
- Camera
- NIKON D810
- Lens
- 80.0-400.0 mm f/4.5-5.6
- Settings
- 400mm · f/6.3 · 1/1600 · ISO 640
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
A timber cottage with a rusted corrugated iron roof sits low in a hollow, half-consumed by scrub. Power lines cross the hill above. A dirt track climbs behind. No sign of movement.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ
Print datasheet
- Title
- Abattoir Managers Quarters
- Series
- A Place to Call Home
- Catalogue
- PCH-005
- Process
- Giclée
- Captured
- 26 December 2016
- Camera
- NIKON D810
- Lens
- 80.0-400.0 mm f/4.5-5.6
- Aperture
- f/6.3
- Shutter
- 1/1600 s
- ISO
- 640
- Focal length
- 400 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Rural New South Wales and ACT, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
This home is the former residence of the Nimmitabel Meatworks manager. The meatworks was built in 1938, so presumably, this house was constructed around the same time. The abattoir operated at a heavy loss for its very short operational life, closing permanently only four years later in 1942.
Brett Patman
The series
A Place to Call Home
A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.
Print sizes
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