Across The Balcony

Provenance

Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Settings
14mm · f/8.0 · 2.0 sec · ISO 800
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Dust-thick wooden seating climbs in tiered rows toward the stage end of the Rosebery auditorium, each bench edged with a low wooden handrail on the right aisle. Three decorative wall panels line the far wall, two in red patterned plaster and one in dark floral relief. Rectangular window openings cut hard daylight across the floor below.

Edition
Open edition

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In situ

Across The BalconyAcross The BalconyAcross The BalconyAcross The BalconyAcross The Balcony
01 PROVENANCE

Print datasheet

Title
Across The Balcony
Series
Marina Picture Palace
Catalogue
MPP-003
Process
Pigment inkjet, archival
Captured
31 March 2019
Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Aperture
f/8.0
Shutter
2.0 sec s
ISO
800
Focal length
14 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Location
Sydney, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Sydney, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

The auditorium of the Marina Picture Palace at 409 Gardeners Road, Rosebery, still holds its tiered wooden benches, each row running toward the stage end of the room with a low handrail marking the right aisle. Three decorative wall panels line the far wall, two finished in red patterned plaster and one in dark floral relief. Rectangular window openings cut through the brickwork and throw hard daylight across the floor below. Above, red-painted timber beams and corrugated iron span the ceiling, and a circular moulded medallion sits on the upper left wall. The Marina Picture Palace opened on Saturday 28 May 1927 with a programme that included Mary Pickford in Sparrows, John Barrymore in The Beloved Rogue, a film on the birth of Canberra, and a live performance by Bill Mason. The building was designed by architect William de Putron in 1925, the same year he left the partnership that had produced Babworth House in Darling Point and the Vanderbilt in Potts Point. De Putron was not simply hired for the job. He was a consortium member alongside builder William Henry Rumble and cinema pioneer Eric Christensen, who placed a gold sovereign in the brickwork during construction. Ownership of the building passed through several hands across the following decades. Mascot Theatres Pty Ltd, the local entity of Snider and Dean, acquired the freehold in January 1939 and carried out renovations including new seating and updated projection equipment. In 1967 Chris Louis of the Louis Film Company purchased the theatre in honour of his wife, whose name was also Marina. The Louis family specialised in continental and Greek-language films in the era before SBS television and continued to operate the building for 35 years. The Marina closed as a cinema for the final time on 8 February 1984. It is the only surviving pre-World War Two theatre in the former Botany Bay local government area and one of only three known surviving examples of the Inter-War free-classical cinema style in suburban Sydney. This photograph, made in 2019, records what remains.

04 FROM THE FIELD NOTES

The auditorium of the Marina Picture Palace in Rosebery retains its tiered wooden seating, decorative plaster wall panels, and a ceiling of red-painted timber beams and corrugated iron. Opened on 28 May 1927 to a programme of silent films and live performance, the Marina was designed by architect William de Putron, who was also a member of the consortium that built it. It closed as a cinema on 8 February 1984 and operated as a video shop until around 2002. The building has stood vacant since.

Brett Patman

Marina Picture Palace

The series

Marina Picture Palace

2019 · 20 photographs

Marina Picture Palace opened on 24 June 1927 on the corner of Gardeners Road and Sutherland Road, between Mascot and Rosebery. The architect William DePruton, who was also one of the original owners, designed it as a 1,210-seat single-screen picture palace, opening with a double bill of Mary Pickford in *Sparrows* and John Barrymore in *The Beloved Rogue*. The Snider & Dean Circuit ran the cinema from 1939 until the early 1960s. After a series of openings and closings under independent operators, the building reopened as the Rosebery Cinema on 1 October 1982 and closed as a working cinema for the final time on 8 February 1984. The stalls were converted into Videomania, a video shop that traded with much of the cinema's original decoration intact, until that closed by 2002. The building was converted to 47 apartments in the 2010s.

View all in this series →

05 SIZE GUIDE

Print sizes

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Anatomy · true ratio
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