Across The Balcony
Provenance
- Camera
- NIKON D850
- Lens
- 14.0-24.0 mm f/2.8
- Settings
- 14mm · f/8.0 · 2.0 sec · ISO 800
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
Dust-thick wooden seating climbs in tiered rows toward the stage end of the Rosebery auditorium, each bench edged with a low wooden handrail on the right aisle. Three decorative wall panels line the far wall, two in red patterned plaster and one in dark floral relief. Rectangular window openings cut hard daylight across the floor below.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Across The Balcony
- Series
- Marina Picture Palace
- Catalogue
- MPP-003
- Process
- Giclée
- Captured
- 31 March 2019
- Camera
- NIKON D850
- Lens
- 14.0-24.0 mm f/2.8
- Aperture
- f/8.0
- Shutter
- 2.0 sec s
- ISO
- 800
- Focal length
- 14 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 297 × 210 mm
- Location
- Sydney, New South Wales, Australia
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
Sydney, New South Wales, Australia
Map · Mapbox · OpenStreetMap
About this print
The auditorium of the Marina Picture Palace in Rosebery retains its tiered wooden seating, decorative plaster wall panels, and a ceiling of red-painted timber beams and corrugated iron. Opened on 28 May 1927 to a programme of silent films and live performance, the Marina was designed by architect William de Putron, who was also a member of the consortium that built it. It closed as a cinema on 8 February 1984 and operated as a video shop until around 2002. The building has stood vacant since.
Brett Patman
The series
Marina Picture Palace
The Marina Theatre, at first the Marina Picture Palace, is a former suburban cinema at Rosebery in Sydney, opened in 1927 and run as a cinema until 1984. The architect William de Putron designed it in 1925 and was one of the consortium formed to establish and run it, with the builder William Henry Rumble and the theatre manager Eric Christensen. It is brick, with a rendered Inter-War free-classical front under a stepped parapet and a corrugated iron roof.
Print sizes
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