Timber Corridor

Provenance

Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Settings
14mm · f/8.0 · 3.0 sec · ISO 320
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Stairwell interior at 409 Gardeners Road, Rosebery. Damask wallpaper covers the walls, pattern visible beneath grime and damp staining. A small window at the foot of the stairs admits direct light onto worn timber floorboards, split along the grain. A handrail on the right wall has pulled free from its fixings, leaving the descent unguarded.

Edition
Open edition

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Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

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A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

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In situ

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01 PROVENANCE

Print datasheet

Title
Timber Corridor
Series
Marina Picture Palace
Catalogue
MPP-019
Process
Pigment inkjet, archival
Captured
31 March 2019
Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Aperture
f/8.0
Shutter
3.0 sec s
ISO
320
Focal length
14 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Location
Sydney, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Sydney, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

The stairwell at 409 Gardeners Road, Rosebery is a narrow, enclosed space: damask wallpaper pressed against brick, its pattern still legible after decades of damp and grime have worked their way into the surface. Light enters through a small window at the foot of the stairs, catching the dust and the grain of the timber floorboards on the landing, which have split open along natural fault lines in the wood. A handrail on the right wall has pulled away from its fixings, leaving the descent unguarded. The corridor is still, the kind of stillness that comes after a building has been empty for a long time. These stairs served the dress circle of the Marina Picture Palace, the upper tier of an auditorium that once seated over a thousand people. The Marina was designed by architect William de Putron in 1925, the same year he left the partnership that had produced some of Sydney's more substantial Inter-War buildings. Construction followed in 1926, delayed at one point by a shortage of steel girders, and the building opened on 28 May 1927. It was an independent house from the start, built by a small consortium rather than either of the major cinema chains of the day. Over the following decades the Marina passed through the hands of the Ward brothers, the Snider and Dean suburban circuit, and finally the Louis Film Company, which purchased it in 1967 and operated it as a venue for continental and Greek-language films through the era before SBS television. The cinema screened its last film on 8 February 1984. The stalls were later converted to a video and DVD shop, the dress circle taken out of use. The building has stood vacant since around 2002. The Marina Picture Palace is the only surviving pre-World War Two cinema in the former Botany Bay local government area. This photograph was made in 2019, with the building still standing at the corner of Gardeners Road and Sutherland Street.

04 FROM THE FIELD NOTES

The stairwell at 409 Gardeners Road, Rosebery served the dress circle of the Marina Picture Palace for nearly six decades. Damask wallpaper still lines the walls, its pattern legible through layers of grime and damp. A small window throws light across timber floorboards split along the grain, and a handrail has pulled away from the wall. The Marina opened on 28 May 1927, screened its last film on 8 February 1984, and later served as a video shop before being abandoned. It is the only surviving pre-World War Two theatre in the former Botany Bay local government area.

Brett Patman

Marina Picture Palace

The series

Marina Picture Palace

2019 · 20 photographs

Marina Picture Palace opened on 24 June 1927 on the corner of Gardeners Road and Sutherland Road, between Mascot and Rosebery. The architect William DePruton, who was also one of the original owners, designed it as a 1,210-seat single-screen picture palace, opening with a double bill of Mary Pickford in *Sparrows* and John Barrymore in *The Beloved Rogue*. The Snider & Dean Circuit ran the cinema from 1939 until the early 1960s. After a series of openings and closings under independent operators, the building reopened as the Rosebery Cinema on 1 October 1982 and closed as a working cinema for the final time on 8 February 1984. The stalls were converted into Videomania, a video shop that traded with much of the cinema's original decoration intact, until that closed by 2002. The building was converted to 47 apartments in the 2010s.

View all in this series →

05 SIZE GUIDE

Print sizes

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Anatomy · true ratio
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