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Provenance

Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Settings
24mm · f/8.0 · 1.6 sec · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A black Bakelite electrical switch with 2 large circular knobs mounted to an aged timber beam. Fabric-wrapped wiring runs along the beam above. Lottery tickets, W. State Lottery and Opera House Lottery, layered and faded to brown, cover the adjacent wall. Ticket numbers run into the hundreds. The corner is dim, the surfaces deteriorated.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

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A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

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In situ

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01 PROVENANCE

Print datasheet

Title
Switch
Series
Marina Picture Palace
Catalogue
MPP-017
Process
Pigment inkjet, archival
Captured
31 March 2019
Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Aperture
f/8.0
Shutter
1.6 sec s
ISO
100
Focal length
24 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Location
Sydney, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Sydney, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

In a corner of the Marina Picture Palace in Rosebery, an antique electrical switch with 2 large circular knobs is bolted to an aged timber beam. Fabric-wrapped wiring traces the beam above it. Around and below the switch, lottery tickets, W. State Lottery and Opera House Lottery issues, have been pressed and layered against the wall over time, their numbers running into the hundreds, their paper faded to a uniform brown. The Marina Picture Palace opened on 28 May 1927, a Saturday, with a programme that included Mary Pickford in Sparrows, John Barrymore in The Beloved Rogue, a film on the Birth of Canberra, and a live performance by Bill Mason. It was designed by architect William de Putron, who was also a member of the original consortium that built and operated it, alongside builder William Henry Rumble and cinema pioneer Eric Christensen. Christensen, who held Exhibitor's Licence No. 1 for New South Wales, placed a gold sovereign in the brickwork during construction. The building operated as an independent suburban cinema for most of its life, passing through the hands of the Ward brothers, the Snider and Dean circuit, and finally the Louis Film Company, which purchased it in 1967. Chris Louis specialised in continental and Greek-language films in the era before SBS television. The Marina closed as a cinema on 8 February 1984. The Louis family then converted the stalls area into a video and DVD shop, which operated until around 2002. The lottery tickets in this frame were not placed by cinema patrons. They arrived during the building's later life and accumulated long after the last reel ran. The switch remains on its beam. The Marina Picture Palace is the only surviving pre-World War Two cinema in the former Botany Bay local government area. This photograph was made in 2019.

04 FROM THE FIELD NOTES

In a corner of the Marina Picture Palace, Rosebery, an antique electrical switch sits bolted to a timber beam, its fabric-wrapped wiring still tracing the length of the beam above. Lottery tickets, W. State Lottery and Opera House Lottery issues, have accumulated across the surrounding wall in layers, faded to brown, their ticket numbers running into the hundreds. They were put there long after the projector last ran, remnants of a different kind of hoping. The Marina opened on 28 May 1927 and closed as a cinema on 8 February 1984, after which the Louis family converted the stalls into a video and DVD shop that ran until around 2002. The building has stood vacant since.

Brett Patman

Marina Picture Palace

The series

Marina Picture Palace

2019 · 20 photographs

Marina Picture Palace opened on 24 June 1927 on the corner of Gardeners Road and Sutherland Road, between Mascot and Rosebery. The architect William DePruton, who was also one of the original owners, designed it as a 1,210-seat single-screen picture palace, opening with a double bill of Mary Pickford in *Sparrows* and John Barrymore in *The Beloved Rogue*. The Snider & Dean Circuit ran the cinema from 1939 until the early 1960s. After a series of openings and closings under independent operators, the building reopened as the Rosebery Cinema on 1 October 1982 and closed as a working cinema for the final time on 8 February 1984. The stalls were converted into Videomania, a video shop that traded with much of the cinema's original decoration intact, until that closed by 2002. The building was converted to 47 apartments in the 2010s.

View all in this series →

05 SIZE GUIDE

Print sizes

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Anatomy · true ratio
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