Threeways

Provenance

Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Settings
14mm · f/8.0 · 2.5 sec · ISO 160
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Eight concrete steps rising toward a dim upper passage. Concrete balustrade and simple handrail on both sides, intact. Dark damask wallpaper covers the walls. A section of red-painted render interrupts the wallpaper on the right. Dust coats every surface. Overhead light catches the wall texture more than the treads.

Edition
Open edition

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In situ

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01 PROVENANCE

Print datasheet

Title
Threeways
Series
Marina Picture Palace
Catalogue
MPP-018
Process
Pigment inkjet, archival
Captured
31 March 2019
Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Aperture
f/8.0
Shutter
2.5 sec s
ISO
160
Focal length
14 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Location
Sydney, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Sydney, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

A stairwell inside Marina Picture Palace, Rosebery, records what the building has become since its doors closed for the last time as a cinema on 8 February 1984. Eight concrete steps climb toward a shadowed upper passage. The balustrade and handrail are intact. Dark damask wallpaper covers both walls, broken on the right by a section of red-painted render. Dust coats every surface; the dim overhead light catches the texture of the patterned walls more readily than the worn treads beneath it. The Marina Picture Palace opened on 28 May 1927 at 409 Gardeners Road, on the corner of Gardeners Road and Sutherland Street. Architect William de Putron designed the building in 1925, the same year he left the firm Morrow and de Putron due to ill health. He was not merely the hired designer; he was a member of the consortium that built and operated the cinema alongside builder William Henry Rumble and cinema entrepreneur Eric Christensen, who held NSW Exhibitor's Licence No. 1 and placed a gold sovereign in the brickwork during construction. Ownership passed through several hands across the following decades. The Ward brothers acquired the building in 1935 after rates went unpaid, leasing it to Horace Edward Nagle before selling to Mascot Theatres Pty Ltd in late 1938. In 1967, Chris Louis of Louis Film Company purchased the cinema in honour of his wife, whose name was also Marina. The Louis family operated it as a Greek-language and continental film house through the era before SBS television, then converted the stalls to a video shop after the cinema closed in 1984. The building has stood vacant since around 2002. The Marina is the only surviving pre-World War Two cinema in the former Botany Bay local government area, and one of only three known surviving examples of the Inter-War free-classical cinema style in suburban Sydney. This photograph was made in 2019.

04 FROM THE FIELD NOTES

A stairwell inside Marina Picture Palace, Rosebery, photographed in 2019. Eight worn concrete steps climb toward a shadowed upper passage, their balustrade and handrail still standing despite decades of vacancy. Dark damask wallpaper covers both walls, broken on the right by a section of red-painted render. Dust settles over everything. The building opened on 28 May 1927 and operated as a cinema until 8 February 1984, later serving as a video shop before closing around 2002.

Brett Patman

Marina Picture Palace

The series

Marina Picture Palace

2019 · 20 photographs

Marina Picture Palace opened on 24 June 1927 on the corner of Gardeners Road and Sutherland Road, between Mascot and Rosebery. The architect William DePruton, who was also one of the original owners, designed it as a 1,210-seat single-screen picture palace, opening with a double bill of Mary Pickford in *Sparrows* and John Barrymore in *The Beloved Rogue*. The Snider & Dean Circuit ran the cinema from 1939 until the early 1960s. After a series of openings and closings under independent operators, the building reopened as the Rosebery Cinema on 1 October 1982 and closed as a working cinema for the final time on 8 February 1984. The stalls were converted into Videomania, a video shop that traded with much of the cinema's original decoration intact, until that closed by 2002. The building was converted to 47 apartments in the 2010s.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
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