3102 Seats

Provenance

Camera
NIKON D810
Lens
14.0-24.0 mm f/2.8
Settings
14mm · f/9.0 · 2.5s · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Rows of empty seating fill the cavernous space of the Eveleigh Paint Shop. This historic railway workshop in Sydney once buzzed with activity, now silence echoes through its industrial shell.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 10 to 20 business days (framed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

3102 Seats at Eveleigh Paint Shop, the seating arrangement in Car 3102 reflects the practicality of Sydney’s early electric trains.3102 Seats at Eveleigh Paint Shop, the seating arrangement in Car 3102 reflects the practicality of Sydney’s early electric trains.3102 Seats at Eveleigh Paint Shop, the seating arrangement in Car 3102 reflects the practicality of Sydney’s early electric trains.3102 Seats at Eveleigh Paint Shop, the seating arrangement in Car 3102 reflects the practicality of Sydney’s early electric trains.3102 Seats at Eveleigh Paint Shop, the seating arrangement in Car 3102 reflects the practicality of Sydney’s early electric trains.
01 PROVENANCE

Print datasheet

Title
3102 Seats
Series
Eveleigh Paint Shop
Catalogue
EPS-028
Process
Giclée
Captured
19 May 2016
Camera
NIKON D810
Lens
14.0-24.0 mm f/2.8
Aperture
f/9.0
Shutter
2.5s s
ISO
100
Focal length
14 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Eveleigh, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Eveleigh, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

The seating in carriage 3102 at the Eveleigh Paint Shop is the long-bench pattern that came in as a retrofit on Sydney's electric suburban fleet. Rows of bench seats run along both sides of the central aisle, each bench wide enough to sleep on. The benches are timber-framed with vinyl pads on the seat and back rail, the vinyl worn through to the padding in the heavy-traffic centre of each bench. Brass handrails sit at the level a standing passenger would grip. The original NSW Government Railways chocolate-and-cream paint runs along the bulkheads above the benches. Light comes from dome fittings down the centre line of the ceiling.

Carriage 3102 was built in the 1920s and electrified along with the rest of Sydney's suburban network in 1926. The bench seating in this photograph replaced an earlier compartment-style arrangement in the same body shell. The retrofit gave a higher passenger capacity per carriage at the cost of any privacy or division between travellers. The benches were sized so that a tired commuter could lie down on the trip home, which generated the nickname applied to this fitting by Sydney's late-night rail crews. The carriage is now part of the Historic Electric Traction collection at Eveleigh Paint Shop, retired from regular service and held for heritage display.

04 FROM THE FIELD NOTES

The seating arrangement in Car 3102 reflects the practicality of Sydney’s early electric trains. Simple, functional, and built to endure. The green vinyl seats, still bearing the PTC NSW insignia, have softened with time, their surfaces dulled by the passage of countless passengers.

Brett Patman

Eveleigh Paint Shop

The series

Eveleigh Paint Shop

2016 · 49 photographs

George Cowdery worked on the Britannia Bridge with Robert Stephenson in 1847. John Whitton, Engineer-in-Chief for NSW Railways, brought him to NSW in 1863, where he supervised the colony's first railway tunnels at Picton and Mittagong. The brick main wing of the Paint Shop was completed in 1887, eight rail roads under a sawtooth south-light roof.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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