Centurion

Provenance

Camera
NIKON D7000
Lens
14.0-24.0 mm f/2.8
Settings
27mm · f/8.0 · 15s · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A weathered industrial structure stands within the Eveleigh Paint Shop. Its steel frame bears layers of peeling paint and deep oxidation. This silent sentinel recalls decades of railway maintenance and industrial labour.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 10 to 20 business days (framed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Centurion at Eveleigh Paint Shop, green leather seat backs line both sides of a narrow central aisle.Centurion at Eveleigh Paint Shop, green leather seat backs line both sides of a narrow central aisle.Centurion at Eveleigh Paint Shop, green leather seat backs line both sides of a narrow central aisle.Centurion at Eveleigh Paint Shop, green leather seat backs line both sides of a narrow central aisle.Centurion at Eveleigh Paint Shop, green leather seat backs line both sides of a narrow central aisle.
01 PROVENANCE

Print datasheet

Title
Centurion
Series
Eveleigh Paint Shop
Catalogue
EPS-005
Process
Giclée
Captured
14 March 2016
Camera
NIKON D7000
Lens
14.0-24.0 mm f/2.8
Aperture
f/8.0
Shutter
15s s
ISO
100
Focal length
27 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Eveleigh, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Eveleigh, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

The Centurion at Eveleigh Paint Shop is a single carriage, number 4279, sitting on its own length of track in the workshop. It is a timber-bodied passenger carriage, originally built in 1913 with internal-combustion or direct-drive propulsion. The exterior is painted in the chocolate-and-cream livery of the NSW Government Railways. The lettering and numbering on the side is hand-painted. Brass fittings around the doors and windows have been polished as part of the restoration work. The carriage has the proportions of a pre-1920s railway vehicle: long, narrow, set high on its bogies.

Built in 1913, the Centurion was converted to electric service in 1926 when Sydney's suburban network was electrified. The conversion involved fitting new traction motors, control gear, and a roof-mounted pantograph, while keeping the original timber bodywork. The carriage ran on Sydney's electric suburban network for several decades after the conversion. It is now held at Eveleigh Paint Shop for ongoing restoration as a heritage exhibit. The 1913 build year and the 1926 electrification are both legible in the carriage's structure: the timber body is older than the electric kit, and the visible joins between them tell the story of how the carriage was rebuilt for a different power system.

04 FROM THE FIELD NOTES

Green leather seat backs line both sides of a narrow central aisle. Turned timber armrests separate each row, their varnish worn smooth. The ceiling curves in a shallow barrel vault, and a sharp 90-degree join where it meets the walls marks where the body was widened. Louvred window shutters sit open. Light falls across scuffed timber floorboards. The carriage is empty. Still.

Brett Patman

Eveleigh Paint Shop

The series

Eveleigh Paint Shop

2016 · 49 photographs

George Cowdery worked on the Britannia Bridge with Robert Stephenson in 1847. John Whitton, Engineer-in-Chief for NSW Railways, brought him to NSW in 1863, where he supervised the colony's first railway tunnels at Picton and Mittagong. The brick main wing of the Paint Shop was completed in 1887, eight rail roads under a sawtooth south-light roof.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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