4052 Double Deck Seats

Provenance

Camera
NIKON D810
Lens
14.0-24.0 mm f/2.8
Settings
14mm · f/9.0 · 1.6s · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Rows of double-deck passenger seats, marked '4052', sit discarded within the abandoned Eveleigh Paint Shop. Dust layers the worn fabric and metal frames, reflecting the industrial site's slow decay.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 10 to 20 business days (framed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

4052 Double Deck Seats at Eveleigh Paint Shop, inside Car 4052, time has settled into every surface.4052 Double Deck Seats at Eveleigh Paint Shop, inside Car 4052, time has settled into every surface.4052 Double Deck Seats at Eveleigh Paint Shop, inside Car 4052, time has settled into every surface.4052 Double Deck Seats at Eveleigh Paint Shop, inside Car 4052, time has settled into every surface.4052 Double Deck Seats at Eveleigh Paint Shop, inside Car 4052, time has settled into every surface.
01 PROVENANCE

Print datasheet

Title
4052 Double Deck Seats
Series
Eveleigh Paint Shop
Catalogue
EPS-029
Process
Giclée
Captured
19 May 2016
Camera
NIKON D810
Lens
14.0-24.0 mm f/2.8
Aperture
f/9.0
Shutter
1.6s s
ISO
100
Focal length
14 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Eveleigh, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Eveleigh, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

The upper-deck seating area of carriage 4052 at the Eveleigh Paint Shop runs the length of the carriage above a central well for the lower deck. The seats are vinyl-upholstered in the standard NSW Government Railways pattern, arranged in pairs across a central aisle with about half the height of a normal carriage between the seat back and the roof. The roof line follows the curved interior profile typical of the all-steel suburban fleet. Brass handrails run along the bulkheads at the stair landings. The seat material is worn along the leading edges where commuters sat down for thousands of journeys. Light comes from a row of original dome fittings spaced down the centre of the ceiling.

Double-deck seating came to the NSW suburban fleet through the second half of the twentieth century as an answer to capacity growth on a network that could not easily be extended underneath the city. Carriage 4052 was originally built in 1924; the double-deck seating arrangement in this photograph reflects later configuration work within the original steel body envelope. The carriage is part of the Historic Electric Traction heritage collection at Eveleigh Paint Shop, retired from active service and held for restoration and display.

04 FROM THE FIELD NOTES

Inside Car 4052, time has settled into every surface. The swollen and curled floorboards, marked by water stains, tell of years spent exposed to the elements. A fine layer of dust covers the seats, softening their once-pristine surfaces. Light filters in from the windows, casting long shadows across the carriage, its quiet stillness a stark contrast to the thousands of journeys it once carried.

Brett Patman

Eveleigh Paint Shop

The series

Eveleigh Paint Shop

2016 · 49 photographs

George Cowdery worked on the Britannia Bridge with Robert Stephenson in 1847. John Whitton, Engineer-in-Chief for NSW Railways, brought him to NSW in 1863, where he supervised the colony's first railway tunnels at Picton and Mittagong. The brick main wing of the Paint Shop was completed in 1887, eight rail roads under a sawtooth south-light roof.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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