Basin

Provenance

Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Settings
14mm · f/8.0 · 1/13 · ISO 400
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A porcelain basin fixed to a wall, its surface discoloured and stained with age. The surrounding space is bare, paint degraded, surfaces worn. Light falls across the basin from an unseen source. The ward is empty, fixtures remaining in place after the last occupants left.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Basin at Female Ward 9 & 10, unframed print displayed in situ on a wall.Basin at Female Ward 9 & 10, white-framed print displayed in situ on a wall.Basin at Female Ward 9 & 10, black-framed print displayed in situ on a wall.Basin at Female Ward 9 & 10, raw timber-framed print displayed in situ on a wall.Basin at Female Ward 9 & 10, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
Basin
Series
Callan Park
Catalogue
CPA-007
Process
Giclée
Captured
1 March 2019
Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Aperture
f/8.0
Shutter
1/13 s
ISO
400
Focal length
14 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Rozelle, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Rozelle, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

A porcelain basin, discoloured and stained, sits fixed to the wall of one of Callan Park's female wards in Rozelle, New South Wales. The surrounding room is bare, its surfaces worn down by decades of institutional use and years of neglect. It is a plain object in a plain room, but the building it belongs to is anything but ordinary. The Kirkbride Complex was built between 1880 and 1885 at a total construction cost of £235,539. Ground was broken on 11 February 1880, the first stone laid on 22 April 1880, and the first ward opened on 1 July 1884. The complex comprised 17 sandstone freestone blocks arranged in a square across 10 acres, with 30 buildings containing 170 single rooms and 41 dormitories, all linked by what historians have described as a remarkable continuous covered veranda. The design was a collaboration between Colonial Architect James Barnet, Inspector General of the Insane Frederic Norton Manning, and Charles Moore, Director of the Royal Botanic Gardens. Manning had toured England, France, Germany and the United States in 1876, returning with drawings of Chartham Down Hospital in Canterbury, Kent, which he adapted for the New South Wales climate. The result was Australia's first purpose-built hospital for moral therapy treatment, where the architecture and landscape were understood as instruments of care, not just its container. The facility was officially proclaimed as Callan Park Hospital for the Insane on 1 August 1878, and the first female patients arrived on 19 December 1884. The hospital merged with Broughton Hall Psychiatric Clinic to form Rozelle Hospital on 1 September 1976. Full hospital closure came on 30 April 2008. Sydney College of the Arts occupied the Kirkbride Complex from 1996 until the end of 2019, consolidating at the University of Sydney's Camperdown Campus in 2020. The complex has stood largely empty since. The basin records what was left behind.

04 FROM THE FIELD NOTES

A single porcelain basin survives in one of the female wards of Callan Park's Kirkbride Complex, Rozelle. The ward block is part of a group of 17 sandstone freestone buildings constructed between 1880 and 1885 at a total cost of £235,539, designed by Colonial Architect James Barnet and Inspector General of the Insane Frederic Norton Manning as Australia's first purpose-built hospital for moral therapy treatment. The basin, stained and worn, is among the last traces of a medical facility that closed its doors on 30 April 2008.

Brett Patman

Callan Park

The series

Callan Park

2016–2018 · 93 photographs

Dr Frederic Norton Manning rejected the asylum as 'a cemetery for deceased intellects'. In 1876 he toured asylums in England, France, Germany and the United States, returning with drawings of Chartham Down Hospital in Kent. Working with Colonial Architect James Barnet and Botanic Gardens director Charles Moore, he built Australia's first hospital purpose-built for moral therapy treatment on the Iron Cove foreshore.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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