Bathrooms

Provenance

Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Settings
14mm · f/8.0 · 2s · ISO 400
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A row of institutional basins beneath peeling painted walls. Tiles have come away, leaving bare plaster behind. Rust marks run down from the fittings. Light falls into a narrow, emptied room. Paint curls at the edges where moisture has worked through.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Bathrooms at Female Ward 9 & 10, unframed print displayed in situ on a wall.Bathrooms at Female Ward 9 & 10, white-framed print displayed in situ on a wall.Bathrooms at Female Ward 9 & 10, black-framed print displayed in situ on a wall.Bathrooms at Female Ward 9 & 10, raw timber-framed print displayed in situ on a wall.Bathrooms at Female Ward 9 & 10, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
Bathrooms
Series
Callan Park
Catalogue
CPA-010
Process
Giclée
Captured
1 March 2019
Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Aperture
f/8.0
Shutter
2s s
ISO
400
Focal length
14 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Rozelle, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Rozelle, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

Within Female Ward 9 and 10 at Callan Park, the bathrooms remain. Paint peels from the walls in long curling strips where tiles have detached and left bare plaster behind. Rust stains run from the fittings down into the basins. The room is narrow, utilitarian, and stripped of anything that was not fixed in place. Callan Park was proclaimed a separate institution from Gladesville on 1 August 1878. The permanent Kirkbride Complex was built between 1880 and 1884, with the first ward opening on 1 July 1884. The complex was designed as a curative and therapeutic environment built on the principles of moral therapy, and it was the first hospital in Australia to be built to that purpose. Ten ward blocks, five for male patients and five for female, were arranged on a main cross axis and linked by a continuous covered veranda. The buildings were designed in freestone sandstone pavilions, two storeys throughout, rising to three at the ends of the pavilions. The designed capacity of the completed buildings was 766 patients. By 1930, the hospital was holding 1,500. The inquiries that followed, in 1923, 1948, and through the 1955 Stoller Report and 1961 Royal Commission, all turned on the consequences of that overcrowding. These rooms absorbed that pressure quietly, floor after floor, ward after ward. The last clinical services were transferred out of the Kirkbride Complex in 1994. Sydney College of the Arts occupied the buildings from 1996 and its Rozelle campus closed at the end of 2019. This photograph was made that same year. What remains now is peeling paint, rusted iron, and the particular silence of a room that once had a great deal of work to do.

04 FROM THE FIELD NOTES

Within Female Ward 9 and 10 at Callan Park, the bathrooms remain largely as they were left. Paint peels from walls where tiles once clung, and rust has worked its way down the basins. By 1930 the hospital was holding 1,500 patients against a designed capacity of 600 to 766. These utilitarian rooms served that population for decades before the last clinical services were transferred out and the building fell silent.

Brett Patman

Callan Park

The series

Callan Park

2016–2018 · 93 photographs

Dr Frederic Norton Manning rejected the asylum as 'a cemetery for deceased intellects'. In 1876 he toured asylums in England, France, Germany and the United States, returning with drawings of Chartham Down Hospital in Kent. Working with Colonial Architect James Barnet and Botanic Gardens director Charles Moore, he built Australia's first hospital purpose-built for moral therapy treatment on the Iron Cove foreshore.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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