Boarded Sunroom

Provenance

Camera
NIKON D7000
Lens
14.0-24.0 mm f/2.8
Settings
14mm · f/8.0 · 0.8s · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Boards cover the sunroom windows at Callan Park. Sunlight barely penetrates, illuminating peeling paint and decaying floorboards. The room stands silent, its former purpose lost to time and neglect.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 3 to 5 business days. Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

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Print datasheet

Title
Boarded Sunroom
Series
Callan Park
Catalogue
CPA-009
Process
Giclée
Captured
29 October 2015
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Rozelle, New South Wales, Australia
Authenticity
C2PA verified →
Recognised by
National Trust of Australia (NSW), 2016 Heritage Award, Multimedia

Where this was photographed

Rozelle, New South Wales, Australia

Map · Mapbox · OpenStreetMap

About this print

A long enclosed corridor runs between weatherboard walls painted white at Callan Park. Ceramic tiles cover the floor, filmed with grit and scattered debris. Windows line the left side, their panes boarded from outside, letting only thin shafts of light press through the gaps between the boards. A pair of double doors stands closed at the far end beneath a green exit sign. Loose cables trail across the floor near the skirting. The ceiling is timber-lined and pitched, with a single dead light fitting hanging at centre. Even sealed, the proportion of the room reads as a sunroom.

The Kirkbride Complex was designed in 1885 by colonial architect James Barnet and superintendent Frederick Norton Manning, applying the moral therapy approach that treated daylight, fresh air, and outlook as instruments of care. Sunrooms ran the length of many wards, opening onto the gardens that Charles Moore, Director of the Sydney Botanic Gardens, laid out around the buildings. When the wards were progressively closed through the late twentieth century, sunroom windows were boarded over to keep the weather and the casual visitor out. The room is no longer open to the outside, but the bones of the original treatment idea, the long line of light, are still in the building. The complex sits on the NSW State Heritage Register at #00818.

From the field notes

A long enclosed corridor runs between weatherboard walls painted white. Ceramic tiles cover the floor, filmed with grit and scattered debris. Windows line the left side, their panes boarded from outside, letting thin shafts of light press through the gaps. A pair of double doors stands closed at the far end beneath a green exit sign. Loose cables trail across the floor near the skirting. The ceiling is timber-lined, pitched, with a single dead light fitting hanging centre.

— Brett Patman

Callan Park

The series

Callan Park

2016–2018 · 66 photographs

Callan Park opened in 1885 as the Callan Park Hospital for the Insane, on land at Rozelle in Sydney's Inner West. The Kirkbride Complex was designed by colonial architect James Barnet and superintendent Frederick Norton Manning, intended as a working example of the more progressive psychiatric care principles of the period. The hospital was reorganised through the twentieth century and many of the wards remain. Brett photographed across multiple visits between 2016 and 2018.

View all in this series →

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