Boarded Up

Provenance

Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Settings
14mm · f/8.0 · 1.3s · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A room in Female Ward 9 & 10 at Callan Park. Heavy timber boards cover the window. A narrow gap between boards admits a thin line of light into an otherwise dim interior. Surfaces appear bare. The room reads as a space sealed rather than emptied.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Boarded Up at Female Ward 9 & 10, unframed print displayed in situ on a wall.Boarded Up at Female Ward 9 & 10, white-framed print displayed in situ on a wall.Boarded Up at Female Ward 9 & 10, black-framed print displayed in situ on a wall.Boarded Up at Female Ward 9 & 10, raw timber-framed print displayed in situ on a wall.Boarded Up at Female Ward 9 & 10, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
Boarded Up
Series
Callan Park
Catalogue
CPA-011
Process
Giclée
Captured
1 March 2019
Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Aperture
f/8.0
Shutter
1.3s s
ISO
100
Focal length
14 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Rozelle, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Rozelle, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

The window in this room was once a deliberate design decision. Colonial Architect James Barnet, working alongside Inspector General of the Insane Frederic Norton Manning and botanist Charles Moore, chose a north-facing foreshore site on Iron Cove specifically for its winter sun and summer breezes. Light was not incidental to the Kirkbride Complex. It was part of the treatment. Female Ward 9 & 10 sits within that complex, a system of ten ward blocks linked by a continuous covered veranda and arranged around landscaped courtyards. Ground was broken on 11 February 1880 and the first ward opened 1 July 1884. By 16 June 1885, the completed buildings housed 110 female and 303 male patients at a total construction cost of £235,539. The facility had been designed around the principles of moral therapy, making Callan Park Australia's first purpose-built hospital on that model. Seventeen sandstone blocks arranged across 10 acres, 30 buildings in total, 170 single rooms and 41 dormitories. By 1930, the hospital held 1,500 patients against a designed capacity of around 600 to 766. The inquiries that followed, in 1923, 1948, 1955, and 1961, all turned on overcrowding. The Kirkbride Complex carried patients until 1994, when the last services transferred out. The Sydney College of the Arts moved into the buildings in 1996 under a 99-year lease. Its Rozelle campus closed at the end of 2019. The photograph was made in 2019, in the ward's final year of occupation. Heavy timber boards cover the window. A single gap between them admits a thin line of light that falls into an otherwise dim interior. The room is bare and sealed. Barnet designed these windows to bring light inside. The boards do the opposite. What remains is the gap, and just enough light to see by.

04 FROM THE FIELD NOTES

Heavy boards cover the windows of Female Ward 9 & 10 within Callan Park's Kirkbride Complex, a thin blade of light pressing through a gap between them and reaching into the dim interior. The room was part of a pavilion block completed in 1885, designed by Colonial Architect James Barnet on the moral therapy principles of light, air, and distributed space. By 2019, with the Sydney College of the Arts having closed its Rozelle campus at the end of that year, the ward sat sealed and largely dark, the boards doing the opposite of what the original designers intended.

Brett Patman

Callan Park

The series

Callan Park

2016–2018 · 93 photographs

Dr Frederic Norton Manning rejected the asylum as 'a cemetery for deceased intellects'. In 1876 he toured asylums in England, France, Germany and the United States, returning with drawings of Chartham Down Hospital in Kent. Working with Colonial Architect James Barnet and Botanic Gardens director Charles Moore, he built Australia's first hospital purpose-built for moral therapy treatment on the Iron Cove foreshore.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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