Cell Walls
Provenance
- Camera
- NIKON D850
- Lens
- 14.0-24.0 mm f/2.8
- Settings
- 14mm · f/8.0 · 1s · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
Interior walls of Female Ward 9 and 10 showing thick layers of paint in various stages of peeling and separation. Textured plaster beneath is exposed across multiple sections. Surfaces show discolouration and uneven deterioration throughout the frame. No furnishings or fittings visible. Light is flat and even.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Cell Walls
- Series
- Callan Park
- Catalogue
- CPA-012
- Process
- Giclée
- Captured
- 1 March 2019
- Camera
- NIKON D850
- Lens
- 14.0-24.0 mm f/2.8
- Aperture
- f/8.0
- Shutter
- 1s s
- ISO
- 100
- Focal length
- 14 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Rozelle, New South Wales, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
Rozelle, New South Wales, Australia
Map · Mapbox · OpenStreetMap
About this print
The walls of Female Ward 9 and 10 inside Callan Park's Kirkbride Complex carry layer upon layer of paint, each coat applied over what came before, peeling back now to reveal the plaster underneath. The Kirkbride Complex was built between 1880 and 1885 to house patients under the principles of moral therapy, with Colonial Architect James Barnet, Inspector General Frederic Norton Manning, and botanist Charles Moore all involved in its design. By 1930 the hospital held 1,500 patients against a designed capacity of around 600 to 766. These ward walls absorbed all of that.
Brett Patman
The series
Callan Park
Dr Frederic Norton Manning rejected the asylum as 'a cemetery for deceased intellects'. In 1876 he toured asylums in England, France, Germany and the United States, returning with drawings of Chartham Down Hospital in Kent. Working with Colonial Architect James Barnet and Botanic Gardens director Charles Moore, he built Australia's first hospital purpose-built for moral therapy treatment on the Iron Cove foreshore.
Print sizes
The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.
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