Cell Walls

Provenance

Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Settings
14mm · f/8.0 · 1s · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Peeling paint and textured plaster define the walls inside Female Ward 9 & 10. These surfaces once enclosed lives within a forgotten institution, now bearing the quiet marks of time and decay.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 10 to 20 business days (framed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Cell Walls at Female Ward 9 & 10, paint peels from every surface in thick, curling sheets.Cell Walls at Female Ward 9 & 10, paint peels from every surface in thick, curling sheets.Cell Walls at Female Ward 9 & 10, paint peels from every surface in thick, curling sheets.Cell Walls at Female Ward 9 & 10, paint peels from every surface in thick, curling sheets.Cell Walls at Female Ward 9 & 10, paint peels from every surface in thick, curling sheets.
01 PROVENANCE

Print datasheet

Title
Cell Walls
Series
Callan Park
Catalogue
CPA-012
Process
Giclée
Captured
1 March 2019
Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Aperture
f/8.0
Shutter
1s s
ISO
100
Focal length
14 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Rozelle, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Rozelle, New South Wales, Australia

Map · Mapbox · OpenStreetMap

04 FROM THE FIELD NOTES

Paint peels from every surface in thick, curling sheets. The ceiling sags where plaster has collapsed, exposing dark timber lath underneath. A pale blue rectangle marks the wall to the left, possibly a notice board or covered window. The floor is littered with fallen debris. Two panelled doors stand ajar in the far corner, letting weak light spill through from an adjacent room. The air looks heavy with dust and calcium.

Brett Patman

Callan Park

The series

Callan Park

2016–2018 · 93 photographs

Dr Frederic Norton Manning rejected the asylum as 'a cemetery for deceased intellects'. In 1876 he toured asylums in England, France, Germany and the United States, returning with drawings of Chartham Down Hospital in Kent. Working with Colonial Architect James Barnet and Botanic Gardens director Charles Moore, he built Australia's first hospital purpose-built for moral therapy treatment on the Iron Cove foreshore.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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