Cell Walls

Provenance

Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Settings
14mm · f/8.0 · 1s · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Interior walls of Female Ward 9 and 10 showing thick layers of paint in various stages of peeling and separation. Textured plaster beneath is exposed across multiple sections. Surfaces show discolouration and uneven deterioration throughout the frame. No furnishings or fittings visible. Light is flat and even.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
See certificate sample →

Shipping Free shipping over $250. Ships worldwide, rates calculated at checkout.

Returns Damaged in transit? We replace it. Full policy →

Ships within 10 business days · signed & numbered

In situ

Cell Walls at Female Ward 9 & 10, unframed print displayed in situ on a wall.Cell Walls at Female Ward 9 & 10, white-framed print displayed in situ on a wall.Cell Walls at Female Ward 9 & 10, black-framed print displayed in situ on a wall.Cell Walls at Female Ward 9 & 10, raw timber-framed print displayed in situ on a wall.Cell Walls at Female Ward 9 & 10, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
Cell Walls
Series
Callan Park
Catalogue
CPA-012
Process
Giclée
Captured
1 March 2019
Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Aperture
f/8.0
Shutter
1s s
ISO
100
Focal length
14 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Rozelle, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Rozelle, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

The walls of Female Ward 9 and 10 inside Callan Park's Kirkbride Complex carry the accumulated evidence of decades of maintenance and slow deterioration. Paint has separated from the plaster beneath in wide sections, curling back at the edges or lifting in sheets. Where the plaster is exposed, its texture is coarse and uneven, the surface marked by the passage of time in a building that has not been used as a ward since the last patient services were transferred from the Kirkbride Complex in 1994. The Kirkbride Complex was designed by Colonial Architect James Barnet in collaboration with Inspector General of the Insane Frederic Norton Manning and Charles Moore, Director of the Royal Botanic Gardens, who designed the grounds. Ground was broken on 11 February 1880, the first stone laid on 22 April 1880, and the first ward opened on 1 July 1884. The total construction cost was £235,539. The buildings were modelled on Chartham Down Hospital in Canterbury, Kent, drawings of which Manning brought back from a study tour of England, France, Germany and the United States in 1876. The design was adapted for the New South Wales climate with extensive verandah spaces, and arranged in a pavilion layout across ten ward blocks, five for male patients and five for female, linked by a continuous covered veranda. The complex was built around the principles of moral therapy, an approach that understood the built environment and its landscaped surrounds as a form of treatment. The New South Wales State Heritage Register describes it as the first facility in Australia to be designed as a curative and therapeutic environment. By 1930 the hospital held 1,500 patients against a designed capacity of between 600 and 766. A sequence of public inquiries followed, in 1923, 1948, 1955, and 1961. Full hospital closure came on 30 April 2008. This photograph from 2019 records what remains in these ward walls: paint film over plaster, separating slowly from the surface it was applied to protect.

04 FROM THE FIELD NOTES

The walls of Female Ward 9 and 10 inside Callan Park's Kirkbride Complex carry layer upon layer of paint, each coat applied over what came before, peeling back now to reveal the plaster underneath. The Kirkbride Complex was built between 1880 and 1885 to house patients under the principles of moral therapy, with Colonial Architect James Barnet, Inspector General Frederic Norton Manning, and botanist Charles Moore all involved in its design. By 1930 the hospital held 1,500 patients against a designed capacity of around 600 to 766. These ward walls absorbed all of that.

Brett Patman

Callan Park

The series

Callan Park

2016–2018 · 93 photographs

Dr Frederic Norton Manning rejected the asylum as 'a cemetery for deceased intellects'. In 1876 he toured asylums in England, France, Germany and the United States, returning with drawings of Chartham Down Hospital in Kent. Working with Colonial Architect James Barnet and Botanic Gardens director Charles Moore, he built Australia's first hospital purpose-built for moral therapy treatment on the Iron Cove foreshore.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
08 BY POST · NO SPAM

Read the full story

Articles when they're published. The history behind a place. The day of a shoot. The work between prints. No marketing, no schedule.

You're subscribed.