Crosslight
Provenance
- Camera
- NIKON D7000
- Lens
- 14.0-24.0 mm f/2.8
- Settings
- 24mm · f/8.0 · 1.3s · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
Sunlight slices through a window within an abandoned ward at Callan Park, illuminating dust suspended in the air. The light reveals peeling paint and worn floorboards inside this historic Sydney institution.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
Shipping Free shipping over $250. Ships worldwide, rates calculated at checkout.
Returns Damaged in transit? We replace it. Full policy →
Ships within 10 business days · signed & numbered
In situ





Print datasheet
- Title
- Crosslight
- Series
- Callan Park
- Catalogue
- CPA-016
- Process
- Giclée
- Captured
- 29 October 2015
- Camera
- NIKON D7000
- Lens
- 14.0-24.0 mm f/2.8
- Aperture
- f/8.0
- Shutter
- 1.3s s
- ISO
- 100
- Focal length
- 24 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Rozelle, New South Wales, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
Rozelle, New South Wales, Australia
Map · Mapbox · OpenStreetMap
About this print
A corridor cuts through the centre of the building, narrow and dim. Doors open on both sides, their frames bare. Mould blooms dark across the plaster walls. Light enters from a room ahead and from doorways to the right, crossing the space at angles. Faded rectangles mark where signs or fixtures were removed. The concrete floor is gritty, stripped back. A small ventilation grille sits low on the left wall. The air looks thick, still.
Brett Patman
The series
Callan Park
Dr Frederic Norton Manning rejected the asylum as 'a cemetery for deceased intellects'. In 1876 he toured asylums in England, France, Germany and the United States, returning with drawings of Chartham Down Hospital in Kent. Working with Colonial Architect James Barnet and Botanic Gardens director Charles Moore, he built Australia's first hospital purpose-built for moral therapy treatment on the Iron Cove foreshore.
Print sizes
The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.
| Type | Size | Width | Height |
|---|
What collectors say
-
Lee K.
2 June 2022
Absolutely superb
As usual - beautiful photographs, expertly framed. Everyone comments on how awesome the prints look. Thanks so much Brett.