Flare

Provenance

Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Settings
14mm · f/8.0 · 2s · ISO 400
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A lens flare dominates the frame, produced by direct sunlight entering Female Ward 9 and 10. Dust motes are visible in the light column. Paint peels from the walls in long strips. Medical equipment remains on the ward floor. Surfaces show heavy deterioration throughout.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Flare at Female Ward 9 & 10, unframed print displayed in situ on a wall.Flare at Female Ward 9 & 10, white-framed print displayed in situ on a wall.Flare at Female Ward 9 & 10, black-framed print displayed in situ on a wall.Flare at Female Ward 9 & 10, raw timber-framed print displayed in situ on a wall.Flare at Female Ward 9 & 10, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
Flare
Series
Callan Park
Catalogue
CPA-013
Process
Giclée
Captured
1 March 2019
Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Aperture
f/8.0
Shutter
2s s
ISO
400
Focal length
14 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Rozelle, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Rozelle, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

Female Ward 9 and 10 sits inside the Kirkbride Complex at Callan Park, Rozelle, part of a group of Victorian sandstone pavilions built between 1880 and 1884. The ward is one of five female blocks in the complex, each linked by a continuous covered veranda and arranged around landscaped courtyards. Freestone walls, high ceilings, and extensive verandah spaces were not incidental features. They were the treatment. Callan Park was designed from the beginning as a curative and therapeutic environment, the first institution in Australia built on that principle. Colonial Architect James Barnet selected the site for its winter sun and summer breezes. Inspector General of the Insane Frederic Norton Manning brought back drawings of Chartham Down Hospital in Kent after a study tour of England, France, Germany and the United States in 1876, then adapted the design for the New South Wales climate. Charles Moore, Director of the Royal Botanic Gardens, designed the grounds. The result was a pavilion-type layout of small buildings with landscaped courtyards, airing courts, and views across Iron Cove to the Blue Mountains on the western horizon. Ground was broken on 11 February 1880. The first ward opened on 1 July 1884. The first female patients arrived on 19 December 1884, transferred from Gladesville. The total construction cost was £235,539. The hospital was proclaimed as a separate institution from Gladesville on 1 August 1878 and became a teaching hospital for the University of Sydney from 1885. Manning served as the first lecturer in psychological medicine at the university from 1886 to 1888, describing his ambition to end the asylum as "a cemetery for deceased intellects." The last patient services transferred from the Kirkbride Complex in 1994. Sydney College of the Arts occupied the buildings from 1996 and vacated at the end of 2019. The photograph was made that same year, as the wards stood newly empty again. Sunlight enters through the windows of Female Ward 9 and 10, illuminating dust motes and the remnants left behind: peeling paint, forgotten medical equipment, and a floor that has outlasted every purpose it was built to serve.

04 FROM THE FIELD NOTES

Sunlight spills hard into Female Ward 9 and 10, scattering dust motes across a room that has not functioned as a ward for decades. Peeling paint and abandoned medical equipment are what remain inside one of the Kirkbride Complex's female pavilions, built from freestone between 1880 and 1884. Callan Park was designed as a curative environment, the landscape and light considered as deliberately as the stonework. The wards now record only their own deterioration.

Brett Patman

Callan Park

The series

Callan Park

2016–2018 · 93 photographs

Dr Frederic Norton Manning rejected the asylum as 'a cemetery for deceased intellects'. In 1876 he toured asylums in England, France, Germany and the United States, returning with drawings of Chartham Down Hospital in Kent. Working with Colonial Architect James Barnet and Botanic Gardens director Charles Moore, he built Australia's first hospital purpose-built for moral therapy treatment on the Iron Cove foreshore.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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