Inside Cell

Provenance

Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Settings
14mm · f/8.0 · 1/13 · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Interior of a single cell in Female Ward 9. Walls show extensive paint loss across multiple layers. Surfaces are worn and discoloured. A small window sits in the exterior wall, admitting natural light and offering a view to the outside. The room is bare, with no furniture or fittings remaining.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Inside Cell at Female Ward 9 & 10, unframed print displayed in situ on a wall.Inside Cell at Female Ward 9 & 10, white-framed print displayed in situ on a wall.Inside Cell at Female Ward 9 & 10, black-framed print displayed in situ on a wall.Inside Cell at Female Ward 9 & 10, raw timber-framed print displayed in situ on a wall.Inside Cell at Female Ward 9 & 10, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
Inside Cell
Series
Callan Park
Catalogue
CPA-015
Process
Giclée
Captured
1 March 2019
Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Aperture
f/8.0
Shutter
1/13 s
ISO
100
Focal length
14 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Rozelle, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Rozelle, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

The room is small. A window in the exterior wall admits light and frames a view of the grounds beyond, but the space between the occupant and that outside world was fixed and absolute. This is a cell from Female Ward 9 inside the Kirkbride Complex at Callan Park, photographed in 2019 after the Sydney College of the Arts had ended its occupation of the precinct. The Kirkbride Complex was built between 1880 and 1885 on a 61-hectare foreshore site at Lilyfield on Iron Cove. Colonial Architect James Barnet selected the location for its winter sun and summer breezes. He collaborated with Inspector General of the Insane Frederic Norton Manning and Charles Moore, Director of the Royal Botanic Gardens, on a design built around the principles of moral therapy: pavilion-type ward blocks, continuous covered verandas, landscaped courtyards, and airing courts arranged so that patients had access to light, air, and views. The Kirkbride Complex was Australia's first purpose-built hospital on that principle. The NSW State Heritage Register describes it as the first institution in the country designed as a curative and therapeutic environment. The 17 freestone blocks that make up the complex were completed at a total construction cost of £235,539. The designed capacity was 766 patients. By 1930, the hospital held 1,500. A sequence of public inquiries followed: 1923, 1948, the 1955 Stoller Report, and the 1961 Royal Commission chaired by Justice McClemens, all turning on overcrowding and conditions. The hospital merged with the adjoining Broughton Hall Psychiatric Clinic to form Rozelle Hospital on 1 September 1976. Full hospital closure came on 30 April 2008. Sydney College of the Arts occupied the Kirkbride Complex from 1996 under a 99-year lease, leaving at the end of 2019. The walls of Female Ward 9 record the layers of that long occupation: paint peeling back through decades, the window unchanged, the grounds still visible through the glass.

04 FROM THE FIELD NOTES

A cell from Female Ward 9 at Callan Park, its walls shedding layers of paint down to bare plaster, a small window the only connection to the grounds outside. The Kirkbride Complex was designed from the outset as a curative environment: Colonial Architect James Barnet, Inspector General of the Insane Frederic Norton Manning, and botanist Charles Moore planned every room, veranda, and courtyard around the idea that light, air, and landscape were the treatment. By 1930, the hospital held 1,500 patients against a designed capacity of fewer than 800.

Brett Patman

Callan Park

The series

Callan Park

2016–2018 · 93 photographs

Dr Frederic Norton Manning rejected the asylum as 'a cemetery for deceased intellects'. In 1876 he toured asylums in England, France, Germany and the United States, returning with drawings of Chartham Down Hospital in Kent. Working with Colonial Architect James Barnet and Botanic Gardens director Charles Moore, he built Australia's first hospital purpose-built for moral therapy treatment on the Iron Cove foreshore.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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