Kirkbride Ward
Provenance
- Camera
- NIKON D850
- Lens
- 14.0-24.0 mm f/2.8
- Settings
- 14mm · f/8.0 · 1.3s · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
A long ward interior with peeling paint in multiple layers across the walls. Sunlight enters at an angle, catching suspended dust in the still air. Paint has separated from the plaster in broad, curling sheets. The floor is bare. No furnishings remain. The room is identified by signage as Female Ward 9 and 10.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Kirkbride Ward
- Series
- Callan Park
- Catalogue
- CPA-003
- Process
- Giclée
- Captured
- 10 December 2018
- Camera
- NIKON D850
- Lens
- 14.0-24.0 mm f/2.8
- Aperture
- f/8.0
- Shutter
- 1.3s s
- ISO
- 100
- Focal length
- 14 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Rozelle, New South Wales, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
Rozelle, New South Wales, Australia
Map · Mapbox · OpenStreetMap
About this print
Female Ward 9 and 10 occupies one of the ten ward blocks of the Kirkbride Complex at Callan Park, a Victorian sandstone pavilion arrangement built between 1880 and 1884 to designs by Colonial Architect James Barnet and Inspector General of the Insane Frederic Norton Manning. The first female patients arrived on 19 December 1884, transferred from Gladesville. By 2018, when this photograph was made, the ward had been empty for years, its walls releasing their paint in slow, heavy sheets. The building is listed on the NSW State Heritage Register as part of Callan Park Conservation Area and Buildings (SHR 00818), gazetted 2 April 1999.
Brett Patman
The series
Callan Park
Dr Frederic Norton Manning rejected the asylum as 'a cemetery for deceased intellects'. In 1876 he toured asylums in England, France, Germany and the United States, returning with drawings of Chartham Down Hospital in Kent. Working with Colonial Architect James Barnet and Botanic Gardens director Charles Moore, he built Australia's first hospital purpose-built for moral therapy treatment on the Iron Cove foreshore.
Print sizes
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