Kirkbride Ward

Provenance

Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Settings
14mm · f/8.0 · 1.3s · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A long ward interior with peeling paint in multiple layers across the walls. Sunlight enters at an angle, catching suspended dust in the still air. Paint has separated from the plaster in broad, curling sheets. The floor is bare. No furnishings remain. The room is identified by signage as Female Ward 9 and 10.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Kirkbride Ward at Female Ward 9 & 10, unframed print displayed in situ on a wall.Kirkbride Ward at Female Ward 9 & 10, white-framed print displayed in situ on a wall.Kirkbride Ward at Female Ward 9 & 10, black-framed print displayed in situ on a wall.Kirkbride Ward at Female Ward 9 & 10, raw timber-framed print displayed in situ on a wall.Kirkbride Ward at Female Ward 9 & 10, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
Kirkbride Ward
Series
Callan Park
Catalogue
CPA-003
Process
Giclée
Captured
10 December 2018
Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Aperture
f/8.0
Shutter
1.3s s
ISO
100
Focal length
14 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Rozelle, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Rozelle, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

The ward sign reads Female Ward 9 and 10. Paint hangs from the walls in broad, curling sheets, each layer a different shade beneath the last, pale greens and creams exposed where the topcoat has let go. Sunlight cuts across the room at a low angle, picking up the dust that floats in the air without moving anywhere in particular. The floor is bare. Nothing has been left behind. The Kirkbride Complex at Callan Park was built between 1880 and 1885 on a 100-acre waterfront site at Lilyfield, on the foreshore of Iron Cove. Ground was broken on 11 February 1880; the first stone was laid on 22 April 1880. The design was a collaboration between Colonial Architect James Barnet, Inspector General of the Insane Frederic Norton Manning, and Charles Moore, Director of the Royal Botanic Gardens, who designed the grounds and landscape. Manning had toured England, France, Germany and the United States in 1876 and returned with drawings of Chartham Down Hospital in Canterbury, Kent, as the planning model. The result was ten ward blocks arranged in a pavilion layout, five for male patients and five for female, linked by a continuous covered veranda and set around landscaped courtyards. Seventeen freestone blocks in total, totalling 10 acres of built fabric, with 170 single rooms and 41 dormitories. Total construction cost came to £235,539. The first female patients transferred into the Kirkbride wards on 19 December 1884. Twelve came from Gladesville. The ward photographed here, Female Ward 9 and 10, formed part of that original female pavilion arrangement. By 30 April 2008 the hospital had closed entirely, with remaining staff and patients transferred to Concord Hospital. Sydney College of the Arts had occupied the Kirkbride Complex from 1996 under a 99-year lease, but vacated at the end of 2019 and consolidated at the University of Sydney's Camperdown Campus in 2020. The three NSW State Heritage Register listings covering the site, including SHR 00818 for the Callan Park Conservation Area and Buildings, were gazetted on 2 April 1999. What the photograph records is the ward as it stood in 2018: empty, quiet, the paint working its way off the walls without any particular urgency.

04 FROM THE FIELD NOTES

Female Ward 9 and 10 occupies one of the ten ward blocks of the Kirkbride Complex at Callan Park, a Victorian sandstone pavilion arrangement built between 1880 and 1884 to designs by Colonial Architect James Barnet and Inspector General of the Insane Frederic Norton Manning. The first female patients arrived on 19 December 1884, transferred from Gladesville. By 2018, when this photograph was made, the ward had been empty for years, its walls releasing their paint in slow, heavy sheets. The building is listed on the NSW State Heritage Register as part of Callan Park Conservation Area and Buildings (SHR 00818), gazetted 2 April 1999.

Brett Patman

Callan Park

The series

Callan Park

2016–2018 · 93 photographs

Dr Frederic Norton Manning rejected the asylum as 'a cemetery for deceased intellects'. In 1876 he toured asylums in England, France, Germany and the United States, returning with drawings of Chartham Down Hospital in Kent. Working with Colonial Architect James Barnet and Botanic Gardens director Charles Moore, he built Australia's first hospital purpose-built for moral therapy treatment on the Iron Cove foreshore.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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