Light at the End of the Tunnel
Provenance
- Camera
- NIKON D850
- Lens
- 14.0-24.0 mm f/2.8
- Settings
- 14mm · f/8.0 · 8s · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
Sunlight illuminates a distant doorway at the end of a dark, peeling corridor within Female Ward 9. Decaying walls and a debris-strewn floor mark this forgotten passage, once part of an institutional complex.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ
Print datasheet
- Title
- Light at the End of the Tunnel
- Series
- Callan Park
- Catalogue
- CPA-004
- Process
- Giclée
- Captured
- 10 December 2018
- Camera
- NIKON D850
- Lens
- 14.0-24.0 mm f/2.8
- Aperture
- f/8.0
- Shutter
- 8s s
- ISO
- 100
- Focal length
- 14 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Rozelle, New South Wales, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
Rozelle, New South Wales, Australia
Map · Mapbox · OpenStreetMap
A single unboarded window illuminating a cavernous space within the Callan Park Kirkbride complex.
Brett Patman
The series
Callan Park
Dr Frederic Norton Manning rejected the asylum as 'a cemetery for deceased intellects'. In 1876 he toured asylums in England, France, Germany and the United States, returning with drawings of Chartham Down Hospital in Kent. Working with Colonial Architect James Barnet and Botanic Gardens director Charles Moore, he built Australia's first hospital purpose-built for moral therapy treatment on the Iron Cove foreshore.
Print sizes
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