Pink Room
Provenance
- Camera
- NIKON D7000
- Lens
- 14.0-24.0 mm f/2.8
- Settings
- 24mm · f/8.0 · 1/2 · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
Pink paint peels from the walls within a derelict ward at Callan Park. Dust settles on the worn floorboards, catching shafts of light. This abandoned room quietly succumbs to time.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Pink Room
- Series
- Callan Park
- Catalogue
- CPA-036
- Process
- Giclée
- Captured
- 29 October 2015
- Camera
- NIKON D7000
- Lens
- 14.0-24.0 mm f/2.8
- Aperture
- f/8.0
- Shutter
- 1/2 s
- ISO
- 100
- Focal length
- 24 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Rozelle, New South Wales, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
Rozelle, New South Wales, Australia
Map · Mapbox · OpenStreetMap
About this print
A cast-iron radiator sits beneath a tall sash window in an empty room. The walls are pink plaster, scuffed and bare. Dark marks where fixtures once hung. Herringbone timber flooring, warped and dulled, catches a faint sheen of light from the glass. Outside, dense green foliage presses close against the panes. The room holds warm, still air.
Brett Patman
The series
Callan Park
Dr Frederic Norton Manning rejected the asylum as 'a cemetery for deceased intellects'. In 1876 he toured asylums in England, France, Germany and the United States, returning with drawings of Chartham Down Hospital in Kent. Working with Colonial Architect James Barnet and Botanic Gardens director Charles Moore, he built Australia's first hospital purpose-built for moral therapy treatment on the Iron Cove foreshore.
Print sizes
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