Red Room

Provenance

Camera
NIKON D7000
Lens
14.0-24.0 mm f/2.8
Settings
21mm · f/8.0 · 1/8 · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Inside a decaying ward at Callan Park, a room glows crimson. Peeling paint reveals layers of history, reflecting the former asylum's forgotten stories. Light streams through a grimy window, illuminating the dust.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 10 to 20 business days (framed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Red Room at Callan Park, a bay window curves outward from an empty room.Red Room at Callan Park, a bay window curves outward from an empty room.Red Room at Callan Park, a bay window curves outward from an empty room.Red Room at Callan Park, a bay window curves outward from an empty room.Red Room at Callan Park, a bay window curves outward from an empty room.
01 PROVENANCE

Print datasheet

Title
Red Room
Series
Callan Park
Catalogue
CPA-039
Process
Giclée
Captured
29 October 2015
Camera
NIKON D7000
Lens
14.0-24.0 mm f/2.8
Aperture
f/8.0
Shutter
1/8 s
ISO
100
Focal length
21 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Rozelle, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Rozelle, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

A room at Callan Park with red-painted walls. The paint covers the walls in a single colour across the full height of the room, the surface peeling back to bare plaster in patches across the damp. A grimy window on the outer wall admits a thin shaft of light into the room. Dust covers the floor and the lower walls. The room is empty of fittings.

The Kirkbride Complex at Callan Park was built between 1880 and 1884 to a design by James Barnet and Frederick Norton Manning. The complex was Australia's first purpose-built hospital for moral therapy. The hospital was proclaimed as a separate institution on 1 August 1878 and merged with Broughton Hall to form Rozelle Hospital in 1976. Full closure followed on 30 April 2008.

04 FROM THE FIELD NOTES

A bay window curves outward from an empty room. Three timber-framed panels let in diffused green light from the overgrown grounds outside. The carpet is grey, matted flat, stained dark in patches. Plaster walls show damp mapping and discolouration. A narrow skirting board of dark-stained timber traces the curve of the bay. Power outlets sit low on the left wall, disconnected.

Brett Patman

Callan Park

The series

Callan Park

2016–2018 · 93 photographs

Dr Frederic Norton Manning rejected the asylum as 'a cemetery for deceased intellects'. In 1876 he toured asylums in England, France, Germany and the United States, returning with drawings of Chartham Down Hospital in Kent. Working with Colonial Architect James Barnet and Botanic Gardens director Charles Moore, he built Australia's first hospital purpose-built for moral therapy treatment on the Iron Cove foreshore.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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