Scratch

Provenance

Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Settings
14mm · f/8.0 · 1.6s · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A single deep scratch in the peeling paint of an interior wall, Female Ward 9, Kirkbride Complex, Callan Park. Layered paint, heavily degraded. Surface texture visible beneath the damaged top coat. No furnishings remain. The mark runs at roughly arm height.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Scratch at Female Ward 9 & 10, unframed print displayed in situ on a wall.Scratch at Female Ward 9 & 10, white-framed print displayed in situ on a wall.Scratch at Female Ward 9 & 10, black-framed print displayed in situ on a wall.Scratch at Female Ward 9 & 10, raw timber-framed print displayed in situ on a wall.Scratch at Female Ward 9 & 10, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
Scratch
Series
Callan Park
Catalogue
CPA-018
Process
Giclée
Captured
1 March 2019
Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Aperture
f/8.0
Shutter
1.6s s
ISO
100
Focal length
14 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Rozelle, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Rozelle, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

The wall of Female Ward 9 inside Callan Park's Kirkbride Complex carries a single deep scratch through its peeling paint. No furniture remains. No fittings. Just layered paint pulling away from the surface, and this one mark left by someone who was here. The Kirkbride Complex was built between 1880 and 1885 to a pavilion design developed by Colonial Architect James Barnet and Inspector General of the Insane Frederic Norton Manning, with the grounds laid out by Charles Moore, Director of the Royal Botanic Gardens. Ground was broken on 11 February 1880. The first ward opened on 1 July 1884. The first female patients arrived on 19 December 1884, transferred from Gladesville. Total construction cost was £235,539. The design was deliberate and considered. Callan Park was Australia's first purpose-built hospital for moral therapy treatment. The NSW State Heritage Register describes it as "the first to be designed as a curative and therapeutic environment." Seventeen freestone blocks arranged in a square across 10 acres, linked by a continuous covered veranda, with landscaped courtyards and airing courts designed to serve as part of the treatment itself. By 1930, the hospital held 1,500 patients against a designed capacity of 766. The building was still in use as part of Rozelle Hospital when the facility merged with Broughton Hall Psychiatric Clinic on 1 September 1976. Full closure came on 30 April 2008. Sydney College of the Arts occupied the Kirkbride Complex from 1996 under a 99-year lease. Its Rozelle campus closed at the end of 2019. The buildings have been vacant since. This photograph was made in 2019, in the final year the complex held any regular use. The scratch was already there. It may have been there for decades. There is no way to know who made it, or when, or what it meant to the person who did.

04 FROM THE FIELD NOTES

A single scratch cuts through layers of paint on the wall of Female Ward 9 in the Kirkbride Complex at Callan Park. The ward is part of the Victorian sandstone pavilion system built between 1880 and 1885, designed by Colonial Architect James Barnet and Inspector General of the Insane Frederic Norton Manning on the principles of moral therapy. The building was meant to be a curative environment. The scratch is what remains of someone who was inside it.

Brett Patman

Callan Park

The series

Callan Park

2016–2018 · 93 photographs

Dr Frederic Norton Manning rejected the asylum as 'a cemetery for deceased intellects'. In 1876 he toured asylums in England, France, Germany and the United States, returning with drawings of Chartham Down Hospital in Kent. Working with Colonial Architect James Barnet and Botanic Gardens director Charles Moore, he built Australia's first hospital purpose-built for moral therapy treatment on the Iron Cove foreshore.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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