Scratch
Provenance
- Camera
- NIKON D850
- Lens
- 14.0-24.0 mm f/2.8
- Settings
- 14mm · f/8.0 · 1.6s · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
A single deep scratch in the peeling paint of an interior wall, Female Ward 9, Kirkbride Complex, Callan Park. Layered paint, heavily degraded. Surface texture visible beneath the damaged top coat. No furnishings remain. The mark runs at roughly arm height.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
Shipping Free shipping over $250. Ships worldwide, rates calculated at checkout.
Returns Damaged in transit? We replace it. Full policy →
Ships within 10 business days · signed & numbered
In situ





Print datasheet
- Title
- Scratch
- Series
- Callan Park
- Catalogue
- CPA-018
- Process
- Giclée
- Captured
- 1 March 2019
- Camera
- NIKON D850
- Lens
- 14.0-24.0 mm f/2.8
- Aperture
- f/8.0
- Shutter
- 1.6s s
- ISO
- 100
- Focal length
- 14 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Rozelle, New South Wales, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
Rozelle, New South Wales, Australia
Map · Mapbox · OpenStreetMap
About this print
A single scratch cuts through layers of paint on the wall of Female Ward 9 in the Kirkbride Complex at Callan Park. The ward is part of the Victorian sandstone pavilion system built between 1880 and 1885, designed by Colonial Architect James Barnet and Inspector General of the Insane Frederic Norton Manning on the principles of moral therapy. The building was meant to be a curative environment. The scratch is what remains of someone who was inside it.
Brett Patman
The series
Callan Park
Dr Frederic Norton Manning rejected the asylum as 'a cemetery for deceased intellects'. In 1876 he toured asylums in England, France, Germany and the United States, returning with drawings of Chartham Down Hospital in Kent. Working with Colonial Architect James Barnet and Botanic Gardens director Charles Moore, he built Australia's first hospital purpose-built for moral therapy treatment on the Iron Cove foreshore.
Print sizes
The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.
| Type | Size | Width | Height |
|---|