Split

Provenance

Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Settings
14mm · f/8.0 · 2s · ISO 400
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A concrete column divides the frame vertically. To the left, a large room with peeling plaster walls and boarded windows. To the right, a stairwell doorway. Cold light enters from above. The floor is covered in debris. No furniture or fittings remain.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Split at Female Ward 9 & 10, unframed print displayed in situ on a wall.Split at Female Ward 9 & 10, white-framed print displayed in situ on a wall.Split at Female Ward 9 & 10, black-framed print displayed in situ on a wall.Split at Female Ward 9 & 10, raw timber-framed print displayed in situ on a wall.Split at Female Ward 9 & 10, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
Split
Series
Callan Park
Catalogue
CPA-019
Process
Giclée
Captured
1 March 2019
Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Aperture
f/8.0
Shutter
2s s
ISO
400
Focal length
14 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Rozelle, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Rozelle, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

A concrete column divides the frame. To its left, a large room opens out, plaster pulling away from the walls in long irregular sheets, windows sealed behind boards. To its right, a doorway leads to a stairwell. Light arrives cold from above and falls across a floor thick with debris. Nothing else remains. The Kirkbride Complex at Callan Park was built between 1880 and 1885 on the foreshore of Iron Cove at Lilyfield. Ground was broken on 11 February 1880; the first stone was laid on 22 April 1880; the first ward opened on 1 July 1884. Total construction cost came to £235,539. The complex was designed as a collaboration between Colonial Architect James Barnet, Inspector General of the Insane Frederic Norton Manning, and Charles Moore, Director of the Royal Botanic Gardens, who shaped the grounds and landscape. The design drew on drawings Manning brought back from Chartham Down Hospital in Canterbury, Kent, adapted for the New South Wales climate with extensive verandah spaces. Seventeen freestone blocks arranged in a square across ten acres; thirty buildings with 170 single rooms and 41 dormitories, linked by a continuous covered veranda. The pavilion-type layout was deliberate: small, distributed buildings, light and air reaching every ward, landscaped courtyards between them. The NSW State Heritage Register describes the Kirkbride Complex as having exceptional significance and records Callan Park as the first hospital in Australia to be designed as a curative and therapeutic environment. The hospital was proclaimed a separate institution from Gladesville on 1 August 1878. It became a teaching hospital for the University of Sydney from 1885. By 1930 it held 1,500 patients against a designed capacity of 766. Full hospital closure came on 30 April 2008. Sydney College of the Arts occupied the Kirkbride Complex from 1996 and vacated at the end of 2019. This photograph was made in 2019, as the complex stood empty.

04 FROM THE FIELD NOTES

A concrete column runs floor to ceiling, splitting the view between an open ward room and a stairwell doorway. Plaster peels from the walls in long sheets; the windows are boarded. Cold light falls from above across a debris-strewn floor. This is the interior of the Kirkbride Complex at Callan Park, built from 1880 to a pavilion-type plan developed by Colonial Architect James Barnet and Inspector General of the Insane Frederic Norton Manning. The design was intentional: small, linked buildings, distributed light, and curated landscape as instruments of treatment.

Brett Patman

Callan Park

The series

Callan Park

2016–2018 · 93 photographs

Dr Frederic Norton Manning rejected the asylum as 'a cemetery for deceased intellects'. In 1876 he toured asylums in England, France, Germany and the United States, returning with drawings of Chartham Down Hospital in Kent. Working with Colonial Architect James Barnet and Botanic Gardens director Charles Moore, he built Australia's first hospital purpose-built for moral therapy treatment on the Iron Cove foreshore.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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