Storage Corner

Provenance

Camera
NIKON D7000
Lens
14.0-24.0 mm f/2.8
Settings
21mm · f/8.0 · 1.3s · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Dust settles on forgotten objects in a storage corner at Callan Park. Decaying infrastructure reveals its past. Shadows lengthen across the abandoned space, preserving its quiet decline.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 10 to 20 business days (framed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Storage Corner at Callan Park, white ceramic tiles line the walls from floor to ceiling.Storage Corner at Callan Park, white ceramic tiles line the walls from floor to ceiling.Storage Corner at Callan Park, white ceramic tiles line the walls from floor to ceiling.Storage Corner at Callan Park, white ceramic tiles line the walls from floor to ceiling.Storage Corner at Callan Park, white ceramic tiles line the walls from floor to ceiling.
01 PROVENANCE

Print datasheet

Title
Storage Corner
Series
Callan Park
Catalogue
CPA-051
Process
Giclée
Captured
29 October 2015
Camera
NIKON D7000
Lens
14.0-24.0 mm f/2.8
Aperture
f/8.0
Shutter
1.3s s
ISO
100
Focal length
21 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Rozelle, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Rozelle, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

A storage corner at Callan Park. Forgotten objects sit on shelves and across the floor of the space. The shelves are timber, the surfaces scuffed and stained. The walls are plastered and painted, the paint peeling in patches. Shadows lengthen across the abandoned space as the daylight falls through the window on the outer wall.

Callan Park merged with Broughton Hall to form Rozelle Hospital in 1976. Full closure followed on 30 April 2008. The hospital had operated continuously from 1 August 1878. The Kirkbride Complex was built between 1880 and 1884 by James Barnet and Frederick Norton Manning. The site is now public parkland managed by Greater Sydney Parklands.

04 FROM THE FIELD NOTES

White ceramic tiles line the walls from floor to ceiling. The grout has yellowed. A stained plywood board hangs where a noticeboard or chart once sat. To the left, an open doorway reveals bare shelving, emptied out. A pale green door with a wired glass panel leads somewhere deeper into the building. A stainless steel bench runs along the right wall, its surface dulled but intact. The floor tiles are grey and filthy, scuffed by decades of foot traffic and neglect. Flat light enters through the windows. The air smells like damp and old disinfectant.

Brett Patman

Callan Park

The series

Callan Park

2016–2018 · 93 photographs

Dr Frederic Norton Manning rejected the asylum as 'a cemetery for deceased intellects'. In 1876 he toured asylums in England, France, Germany and the United States, returning with drawings of Chartham Down Hospital in Kent. Working with Colonial Architect James Barnet and Botanic Gardens director Charles Moore, he built Australia's first hospital purpose-built for moral therapy treatment on the Iron Cove foreshore.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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